Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
After 9 chapters of genealogy, the Chronicler begins his history with the death of Saul and the rise of David. The latter part of 1 Chronicles 12 describes the assembly of warriors from the twelve tribes to Hebron to celebrate David’s coronation as king. They have a three-day feast, with…
In the introduction we saw that Matthew and Luke are the only gospels which include “fire” in John the Baptist's narrative. If Matthew and Luke are the priestly and prophetic gospels, the inclusion of fire is of great importance. Priests are servants of the altar, working with fire every day.…
The feet of the great statue in Nebuchadnezzar’s dream cannot be interpreted as a prediction of the states of modern Europe, but the lessons from their failure can certainly be applied . The statue in Nebuchadnezzar’s dream spoke of God’s ordaining of four empires which would rule in succession throughout…
This past Sunday afternoon, I drove just a few miles west of my neighborhood to visit the corner of Sherman Blvd. and Burleigh St. in Milwaukee, Wisconsin. Amid a crowd I stood, looking at a huge gas station and multiple vehicles, all completely destroyed. Hundreds of feet of yellow caution…
1 Chronicles 12 is a flashback. The Chronicler has told the story of Saul’s death at the battle of Mount Gilboa. He has described how “all Israel” gathered to David at Hebron to make him king over all Israel (11:1-3). At the beginning of chapter 12, we move back to…
A great story draws you into specific details while delivering an ending that keeps you coming back. It brings you into the minutiae of life in such a way that requires patience, only to deliver a breath of fresh air time and again. The climax of the biblical story comes…
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A few random thoughts on the parable of the treasure in the field (Matthew 13:44) 1) The kingdom is like a man-finding-hidden-treasure-who-buys-the-field. The hiddenness of the treasure is crucial. In His parables, Jesus reveals things hidden from before the foundation of the world (13:35). Jesus is the new Solomon, the…
Stapert points out that in the same motet, Bach breaks off the last part of Isaiah 43:1 (du bist mein -you are mine) when the verse is first introduced. He saves is “until the point where he could introduce them as part of a brief dialogue during the chorale/fugue.” “Dialogue”…
The second half of Bach’s motet “Furchte dich nicht” (“Fear you not”) consists of a Paul Gerhardt chorale, sung over a fugue drawn from Isaiah 43:1. The fugue repeats its subject - ich habe dich erloset, “I have you redeemed” - 33 times. The Redeemer is associated with the number…
Victor Zuckerkandl contrasts post-polyphonic Western music with Gregorian chant. In both there are longer and shorter tones in a succession in time. But in “our music,” another layer is added: “the succession also gives rise to the metrical wave, whose uniform pulsation is perceptible through all the changes of the…
Jesus’ parable of the treasure in the field looks straightforward: It’s about the value of the kingdom (Matthew 13:44). When we probe the behavior of the man in the parable, and the implied behavior of the seller, we find there are more intriguing things going on. Commentators commonly question the…
For the next several weeks, the Christian Century is publishing brief lectionary essays of mine on its blog. You can find a meditation on the readings for June 1 here: http://www.theolog.org/blog/2008/05/blogging-towa-3.html.
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