Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In my previous two posts, I looked at aspects of Psalms 93, 95, 96 and 98 that declare Yahweh, the divine King, to be the world’s own Creator. In my next post, I plan to argue that the creation theology of the sub-section constituted by Psalms 93-100 contributes to the…
Ethika Politika has published a fascinating interview within which the French Catholic philosopher Fabrice Hadjadj discusses his recent work on the subject of sexuality. While there are many points where our lines of reasoning as Protestants will sharply diverge from Hadjadj’s, there is also much that is deeply perceptive in…
For anyone in Shakespeare’s audience who knew the real story of Macbeth, his play must have been surprising. Shakespeare changed so many important details of the historical Macbeth’s life that had Raphael Holinshed, the main author of the most popular history of the British Isles in Shakespeare’s day — Holinshed…
I started looking at a sequence of psalms on divine Kingship (Psalms 93-100) in my last post, part of a series looking at the Old Testament’s witness to Yahweh’s exercise of absolute mastery over his cosmos. I am not trying to “prove” a doctrine of creation ex nihilo directly from…
Most of the time I believe that dread is wise, anxiety righteous, fear a holy thing. It sounds ridiculous, but bear with me. There are days when fear seems to be not only a rational response to my circumstances, but a moral duty. After all, being a grown-up means responsibility.…
Get the Psalm 36 Translation here Psalm 36 begins with several translation problems. First, the first word in the actual psalm, as it is found in the English text, is the word "oracle." This word also begins the second verse in the medieval Massoretic Hebrew text, which is our basic…
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A few random thoughts on the parable of the treasure in the field (Matthew 13:44) 1) The kingdom is like a man-finding-hidden-treasure-who-buys-the-field. The hiddenness of the treasure is crucial. In His parables, Jesus reveals things hidden from before the foundation of the world (13:35). Jesus is the new Solomon, the…
Stapert points out that in the same motet, Bach breaks off the last part of Isaiah 43:1 (du bist mein -you are mine) when the verse is first introduced. He saves is “until the point where he could introduce them as part of a brief dialogue during the chorale/fugue.” “Dialogue”…
The second half of Bach’s motet “Furchte dich nicht” (“Fear you not”) consists of a Paul Gerhardt chorale, sung over a fugue drawn from Isaiah 43:1. The fugue repeats its subject - ich habe dich erloset, “I have you redeemed” - 33 times. The Redeemer is associated with the number…
Victor Zuckerkandl contrasts post-polyphonic Western music with Gregorian chant. In both there are longer and shorter tones in a succession in time. But in “our music,” another layer is added: “the succession also gives rise to the metrical wave, whose uniform pulsation is perceptible through all the changes of the…
Jesus’ parable of the treasure in the field looks straightforward: It’s about the value of the kingdom (Matthew 13:44). When we probe the behavior of the man in the parable, and the implied behavior of the seller, we find there are more intriguing things going on. Commentators commonly question the…
For the next several weeks, the Christian Century is publishing brief lectionary essays of mine on its blog. You can find a meditation on the readings for June 1 here: http://www.theolog.org/blog/2008/05/blogging-towa-3.html.
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