Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
He made Him who knew no sin to be sin on our behalf, that we might become the righteousness of God in Him. My argument is simple: What Paul means in writing the quotation above in context is the same as what he was telling the Ephesians when he wrote,…
THE ART OF BIBLICAL THEOLOGY IN PRACTICE: INTERTEXTUALITY AND TWO PAULINE CASE STUDIES The Art of Biblical Theology: Intertextuality Biblical Theology is really an art. Like other skills of this sort, it is not a matter of following rules (though there are certainly guidelines and techniques). Rather, it’s matter of…
Click HERE for Part 1 Reading Christotelically Jesus Christ is the heart of God’s plan for creation and history. There is no “hidden plan” or “hidden God” lurking behind Christ; rather, in and through Christ God has revealed himself and his intentions towards the world. In Christ, the Father has…
STORY THEOLOGY AND A THEOLOGY OF STORY Defining Biblical Theology What is Biblical Theology? How does it compare to other ways of doing theology, such as Systematic Theology? Geerhardus Vos suggested that whereas Biblical Theology draws a line, Systematic Theology draws a circle. That is to say, Biblical Theology is…
The gospels strongly imply Jesus lived by faith in the promise of his heavenly Father. How else can his prayer life understood? How else could he have wrestled through the Gethsemane experience? How else could he have committed himself into his Father’s care at death? How could Jesus have presented…
John 3:16 is probably best-known, or at least, best-liked Bible passage in North America: “For God so loved the world, that he gave his only Son, that whoever believes in him should not perish but have eternal life.” This declaration of God’s love of the whole world is greatly comforting…
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A few random thoughts on the parable of the treasure in the field (Matthew 13:44) 1) The kingdom is like a man-finding-hidden-treasure-who-buys-the-field. The hiddenness of the treasure is crucial. In His parables, Jesus reveals things hidden from before the foundation of the world (13:35). Jesus is the new Solomon, the…
Stapert points out that in the same motet, Bach breaks off the last part of Isaiah 43:1 (du bist mein -you are mine) when the verse is first introduced. He saves is “until the point where he could introduce them as part of a brief dialogue during the chorale/fugue.” “Dialogue”…
The second half of Bach’s motet “Furchte dich nicht” (“Fear you not”) consists of a Paul Gerhardt chorale, sung over a fugue drawn from Isaiah 43:1. The fugue repeats its subject - ich habe dich erloset, “I have you redeemed” - 33 times. The Redeemer is associated with the number…
Victor Zuckerkandl contrasts post-polyphonic Western music with Gregorian chant. In both there are longer and shorter tones in a succession in time. But in “our music,” another layer is added: “the succession also gives rise to the metrical wave, whose uniform pulsation is perceptible through all the changes of the…
Jesus’ parable of the treasure in the field looks straightforward: It’s about the value of the kingdom (Matthew 13:44). When we probe the behavior of the man in the parable, and the implied behavior of the seller, we find there are more intriguing things going on. Commentators commonly question the…
For the next several weeks, the Christian Century is publishing brief lectionary essays of mine on its blog. You can find a meditation on the readings for June 1 here: http://www.theolog.org/blog/2008/05/blogging-towa-3.html.
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