Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Every attempt to understand the Christian sacraments makes use of comparisons or analogies with other rituals, events, or customs. Calvin and those who followed him, for example, spoke of the sacraments as “seals,” and compared them to the “seal of approval” that an official impresses on a document. Thinking about…
Eugen Rosenstock-Huessy has pointed out in his essay "Hitler and Israel, or On Prayer" (available for $2.00 from Biblical Horizons ) that it is God’s word "No!" that establishes in a culture the distinction between the Creator and the creature. The Bible repeatedly says "No!" to every human attempt to…
If you missed Gattaca at the movie theaters, you can probably check it out from your local video store now. And you should. This is one of those relatively rare thought-provoking movies that can stand being watched with brain in gear more than once. It is also poetic, sensitive, visually…
Part 4: The Nephilim Factor Western Civilization partakes of what I call "the Nephilim Factor." The Enoch Factor means that the pagans get there first. This is both a blessing and a danger. As a blessing, it means that they work out techniques of dominion over the lower creation that…
The Worship Service Then the one speaking with me took me by the hair and lifted me into the air in the middle of the great room. And as I watched, I saw people entering the room to the sound of the great bells outside. Then entered from all four…
Part 3: Philosophy (continued) If we realize that human beings are the images of God, and that man hates God, then we realize that all non-Christian political philosophy is founded on a fundamental hatred of other human beings, a hatred manifest in contempt. Rome, like Enoch, was founded on the…
Showing page 250 of 309
Showing page 1 of 43
A few random thoughts on the parable of the treasure in the field (Matthew 13:44) 1) The kingdom is like a man-finding-hidden-treasure-who-buys-the-field. The hiddenness of the treasure is crucial. In His parables, Jesus reveals things hidden from before the foundation of the world (13:35). Jesus is the new Solomon, the…
Stapert points out that in the same motet, Bach breaks off the last part of Isaiah 43:1 (du bist mein -you are mine) when the verse is first introduced. He saves is “until the point where he could introduce them as part of a brief dialogue during the chorale/fugue.” “Dialogue”…
The second half of Bach’s motet “Furchte dich nicht” (“Fear you not”) consists of a Paul Gerhardt chorale, sung over a fugue drawn from Isaiah 43:1. The fugue repeats its subject - ich habe dich erloset, “I have you redeemed” - 33 times. The Redeemer is associated with the number…
Victor Zuckerkandl contrasts post-polyphonic Western music with Gregorian chant. In both there are longer and shorter tones in a succession in time. But in “our music,” another layer is added: “the succession also gives rise to the metrical wave, whose uniform pulsation is perceptible through all the changes of the…
Jesus’ parable of the treasure in the field looks straightforward: It’s about the value of the kingdom (Matthew 13:44). When we probe the behavior of the man in the parable, and the implied behavior of the seller, we find there are more intriguing things going on. Commentators commonly question the…
For the next several weeks, the Christian Century is publishing brief lectionary essays of mine on its blog. You can find a meditation on the readings for June 1 here: http://www.theolog.org/blog/2008/05/blogging-towa-3.html.
Showing page 1513 of 2212
Your weekly digest for all things Theopolis.
