Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In our first essay we looked at Kline’s flawed exegesis of Genesis 2:5 as it relates to Day 3 of creation. Now we turn to Kline’s new argument against a chronological reading of Genesis 1, as found, again, in "Space and Time in the Genesis Cosmogony," Perspectives on Science and…
One of the advantages of paying very close attention to the details in the Bible, especially chronological and genealogical details, is that they can shed light on situations that don’t seem to make much sense apart from them. One such situation is that of Bathsheba. It appears that Bathsheba willingly…
Once upon a time, Jeff Meyers and Tony Rollins–old friends who had not seen each other for a few years–met in the parking lot of a neighborhood church. They were dropping off their pre-school children at the church for Mother’s Day Out. They were such conscientious and helpful fathers. As…
Years ago, when I was at the briefly-existing Geneva Divinity School, I taught a course in the Apocrypha. One thing that struck me at that time is that two of the stories are almost certainly religious allegories (as well as moral tales): Judith and Susanna. Since "Susanna" means "Lily," this…
Peter’s essay inspires me to write up some similar thoughts about the flower of the field. Rightly does Peter associate the almond with Yahweh’s garden, because the Garden of Eden is symbolically positioned as parallel to the Holy Place of the Tabernacle and Temple. To wit: Since Aaron’s rod blossomed…
We have had occasion to discuss the views of Meredith G. Kline previously in these newsletters, and now it is time to do so again. Kline teaches at Gordon-Conwell Theological Seminary and also at the Westminster Theological Seminaries (Philadelphia and San Diego). He is the author of some interesting insights…
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A few random thoughts on the parable of the treasure in the field (Matthew 13:44) 1) The kingdom is like a man-finding-hidden-treasure-who-buys-the-field. The hiddenness of the treasure is crucial. In His parables, Jesus reveals things hidden from before the foundation of the world (13:35). Jesus is the new Solomon, the…
Stapert points out that in the same motet, Bach breaks off the last part of Isaiah 43:1 (du bist mein -you are mine) when the verse is first introduced. He saves is “until the point where he could introduce them as part of a brief dialogue during the chorale/fugue.” “Dialogue”…
The second half of Bach’s motet “Furchte dich nicht” (“Fear you not”) consists of a Paul Gerhardt chorale, sung over a fugue drawn from Isaiah 43:1. The fugue repeats its subject - ich habe dich erloset, “I have you redeemed” - 33 times. The Redeemer is associated with the number…
Victor Zuckerkandl contrasts post-polyphonic Western music with Gregorian chant. In both there are longer and shorter tones in a succession in time. But in “our music,” another layer is added: “the succession also gives rise to the metrical wave, whose uniform pulsation is perceptible through all the changes of the…
Jesus’ parable of the treasure in the field looks straightforward: It’s about the value of the kingdom (Matthew 13:44). When we probe the behavior of the man in the parable, and the implied behavior of the seller, we find there are more intriguing things going on. Commentators commonly question the…
For the next several weeks, the Christian Century is publishing brief lectionary essays of mine on its blog. You can find a meditation on the readings for June 1 here: http://www.theolog.org/blog/2008/05/blogging-towa-3.html.
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