Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Because of sin, the arts sometimes do not serve to glorify but to debase. Sinful men make their environments ugly, and create ugly art to “enhance” their ugly words. But since all men are still God’s images, no men are able to live with such ugliness all the time. Thus,…
Arts and literature reviews in most evangelical Christian publications generally approach their subjects in terms of ideology. We are told whether or not the film or book is acceptable in terms of morals, sexual graphicness, and theological accuracy. While there is definitely a place for such reviews, I fear that…
We speak of God as Father, Son, and Holy Spirit. The early Church tended to speak of Him as Father, Word, and Spirit. In this short essay, I want to suggest some other ways to think of the Trinity, ways that I have found pastorally helpful in my own life…
I, Yahweh your God, am a jealous God, visiting the iniquity of the fathers on the children, on the third and fourth of those who hate Me, but showing lovingkindness to thousands, to those who love Me and guard My commandments (Ex. 20:5-6). The Second Word forbids acts of ceremonial…
8. The Table of Nations If we assume births every two years, and about 30 years between generations (cp. Gen. 11:12-24), we can come up with an approximate series of dates for the generations recorded in Genesis 10. We shall assume that all three of Noah’s sons had their firstborn…
Zechariah’s first prophecy (Zech. 1:1-6) was delivered in the eighth month of the second year of Darius. The notation of this date serves a number of purposes. Most obviously, it relates Zechariah’s prophecies to those of Haggai. By the time Zechariah delivered his first prophecy, Haggai had already chided the…
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A few random thoughts on the parable of the treasure in the field (Matthew 13:44) 1) The kingdom is like a man-finding-hidden-treasure-who-buys-the-field. The hiddenness of the treasure is crucial. In His parables, Jesus reveals things hidden from before the foundation of the world (13:35). Jesus is the new Solomon, the…
Stapert points out that in the same motet, Bach breaks off the last part of Isaiah 43:1 (du bist mein -you are mine) when the verse is first introduced. He saves is “until the point where he could introduce them as part of a brief dialogue during the chorale/fugue.” “Dialogue”…
The second half of Bach’s motet “Furchte dich nicht” (“Fear you not”) consists of a Paul Gerhardt chorale, sung over a fugue drawn from Isaiah 43:1. The fugue repeats its subject - ich habe dich erloset, “I have you redeemed” - 33 times. The Redeemer is associated with the number…
Victor Zuckerkandl contrasts post-polyphonic Western music with Gregorian chant. In both there are longer and shorter tones in a succession in time. But in “our music,” another layer is added: “the succession also gives rise to the metrical wave, whose uniform pulsation is perceptible through all the changes of the…
Jesus’ parable of the treasure in the field looks straightforward: It’s about the value of the kingdom (Matthew 13:44). When we probe the behavior of the man in the parable, and the implied behavior of the seller, we find there are more intriguing things going on. Commentators commonly question the…
For the next several weeks, the Christian Century is publishing brief lectionary essays of mine on its blog. You can find a meditation on the readings for June 1 here: http://www.theolog.org/blog/2008/05/blogging-towa-3.html.
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