Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1 Kings 17, which abruptly introduces Elijah into the history of the northern kingdom, is a carefully constructed literary unit. In its basic structure, it follows a clear exodus-return pattern. Like Jacob and his sons, Elijah was driven out of the land by a famine (vv. 1-4). In exile, Elijah…
Now the Pharisees, who were lovers of money, were listening to all these things and they were scoffing at Him. And He said to them, "You are those who justify yourselves in the sight of men, but God knows your hearts; for that which is highly esteemed among men is…
In the year 3119, Ahaziah of Judah and Jehoram of Israel were both slain by Jehu as he carried out his God-appointed task of eliminating the seed and house of Ahab (2 Kings 9:13-33). Since the kings of Israel are usually counted as beginning their reign in the same year…
One of the most important developments in Biblical studies in recent years has been a movement of scholars devoted to studying the literary techniques of the Biblical writers. Tremper Longman, III of Westminster Theological Seminary has treated this movement from a Reformed perspective in his Literary Approaches to Biblical Interpretation…
And because [Paul] was of the same trade, he stayed with [Aquila and Priscilla] and they were working; for by trade they were tentmakers (Acts 18:3). The fact that Paul was by trade a tentmaker has usually been taken as the springboard for a discussion of whether pastors should have…
I pointed out in Chronologies and Kings Part 9 that the years of Judah’s kings are given in chronological fashion. "When we read of a Judahite king’s reign as lasting 4 years, it means that 4 years of the chronology have been given to him, and there is no chronological…
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A few random thoughts on the parable of the treasure in the field (Matthew 13:44) 1) The kingdom is like a man-finding-hidden-treasure-who-buys-the-field. The hiddenness of the treasure is crucial. In His parables, Jesus reveals things hidden from before the foundation of the world (13:35). Jesus is the new Solomon, the…
Stapert points out that in the same motet, Bach breaks off the last part of Isaiah 43:1 (du bist mein -you are mine) when the verse is first introduced. He saves is “until the point where he could introduce them as part of a brief dialogue during the chorale/fugue.” “Dialogue”…
The second half of Bach’s motet “Furchte dich nicht” (“Fear you not”) consists of a Paul Gerhardt chorale, sung over a fugue drawn from Isaiah 43:1. The fugue repeats its subject - ich habe dich erloset, “I have you redeemed” - 33 times. The Redeemer is associated with the number…
Victor Zuckerkandl contrasts post-polyphonic Western music with Gregorian chant. In both there are longer and shorter tones in a succession in time. But in “our music,” another layer is added: “the succession also gives rise to the metrical wave, whose uniform pulsation is perceptible through all the changes of the…
Jesus’ parable of the treasure in the field looks straightforward: It’s about the value of the kingdom (Matthew 13:44). When we probe the behavior of the man in the parable, and the implied behavior of the seller, we find there are more intriguing things going on. Commentators commonly question the…
For the next several weeks, the Christian Century is publishing brief lectionary essays of mine on its blog. You can find a meditation on the readings for June 1 here: http://www.theolog.org/blog/2008/05/blogging-towa-3.html.
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