Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I just finished re-reading G. K. Chesterton’s The Man Who Was Thursday . I have in the past had the temerity to say that I believe it to be the best novel of the 20th century. Be that as it may, I still maintain that it is at least one…
And Simeon blessed them and said to Mary his mother, “Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against and a sword will pierce through your own soul also, that thoughts out of many hearts may be…
I was inspired to write this article after reading John Ahern’s The Case for Shorter Hymnals first published on Theopolis Institute’s website on November 16, 2021. Mr. Ahern and I are writing with different audiences and emphases in mind. I am thankful we both share a mutual desire to see…
If you’ve spent any time in the social-media galaxy of Christian cultural commentators, you have almost definitely run across the Latin phrase Imago Dei . It means image of God . Why they usually say it in Latin, I couldn’t tell you. We saw it in the wake of the…
The Gospel of Matthew—indeed, the New Testament—begins with a list of names, and that list of names is introduced by this heading: “The book of the generations of Jesus Christ, the son of David, the son of Abraham.” Why start like this? Why “the son of David” and “the son…
A blade is raised. A child wails. But the brow under the crown is untroubled. Solomon knows that the raising of the sword will reveal the true parent and the identity of the son. But how did he know this? Abraham’s willingness to sacrifice Isaac certainly bears some of the…
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A few random thoughts on the parable of the treasure in the field (Matthew 13:44) 1) The kingdom is like a man-finding-hidden-treasure-who-buys-the-field. The hiddenness of the treasure is crucial. In His parables, Jesus reveals things hidden from before the foundation of the world (13:35). Jesus is the new Solomon, the…
Stapert points out that in the same motet, Bach breaks off the last part of Isaiah 43:1 (du bist mein -you are mine) when the verse is first introduced. He saves is “until the point where he could introduce them as part of a brief dialogue during the chorale/fugue.” “Dialogue”…
The second half of Bach’s motet “Furchte dich nicht” (“Fear you not”) consists of a Paul Gerhardt chorale, sung over a fugue drawn from Isaiah 43:1. The fugue repeats its subject - ich habe dich erloset, “I have you redeemed” - 33 times. The Redeemer is associated with the number…
Victor Zuckerkandl contrasts post-polyphonic Western music with Gregorian chant. In both there are longer and shorter tones in a succession in time. But in “our music,” another layer is added: “the succession also gives rise to the metrical wave, whose uniform pulsation is perceptible through all the changes of the…
Jesus’ parable of the treasure in the field looks straightforward: It’s about the value of the kingdom (Matthew 13:44). When we probe the behavior of the man in the parable, and the implied behavior of the seller, we find there are more intriguing things going on. Commentators commonly question the…
For the next several weeks, the Christian Century is publishing brief lectionary essays of mine on its blog. You can find a meditation on the readings for June 1 here: http://www.theolog.org/blog/2008/05/blogging-towa-3.html.
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