Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Some of the key ways Biblical writers draw attention to important details in their stories are by the use of key words, repetition, and structural devices like chiasms and parallel constructions. The Bible sounds different, even odd, to us sometimes because of the use of these and similar literary conventions.…
It is pretty standard in conservative Christian circles to condemn unbelief for pretensions of “autonomy.” Cornelius Van Til famously (at least among those of us who knows who he is) said that “There is no alternative but that of theonomy and autonomy.” Greg Bahnsen appealed to this quotation by labeling…
Jesus was the greatest teacher who ever taught — the Light of the World, whose pure Truth brought sight to the blind (John 9). Almost no one — even those who speak openly against Him — disputes His reputation as a wise and good teacher of the way of love.…
It is clear that the events in Esther are an integral part of the history of the formation of the Restoration Covenant Era. Amalek attacks. Amalek is spoiled. The spoils are used to build the Temple, in the sense that the crude Temple of Zerubbabel can now be glorified with…
It is not coincidental that John Calvin speaks most strongly in defense of vernacular language just after his defense of singing in church. "From this also it plainly appears that public prayers must be couched not in Greek among the Latins, nor in Latin among the French or English, as…
In A Voyage Around the World , George Anson recounts the effects of scurvy upon an unfortunate man: But a most extraordinary circumstance, and what would be scarcely credible upon any single evidence, is, that the scars of wounds which had been for many years healed, were forced open again…
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A few random thoughts on the parable of the treasure in the field (Matthew 13:44) 1) The kingdom is like a man-finding-hidden-treasure-who-buys-the-field. The hiddenness of the treasure is crucial. In His parables, Jesus reveals things hidden from before the foundation of the world (13:35). Jesus is the new Solomon, the…
Stapert points out that in the same motet, Bach breaks off the last part of Isaiah 43:1 (du bist mein -you are mine) when the verse is first introduced. He saves is “until the point where he could introduce them as part of a brief dialogue during the chorale/fugue.” “Dialogue”…
The second half of Bach’s motet “Furchte dich nicht” (“Fear you not”) consists of a Paul Gerhardt chorale, sung over a fugue drawn from Isaiah 43:1. The fugue repeats its subject - ich habe dich erloset, “I have you redeemed” - 33 times. The Redeemer is associated with the number…
Victor Zuckerkandl contrasts post-polyphonic Western music with Gregorian chant. In both there are longer and shorter tones in a succession in time. But in “our music,” another layer is added: “the succession also gives rise to the metrical wave, whose uniform pulsation is perceptible through all the changes of the…
Jesus’ parable of the treasure in the field looks straightforward: It’s about the value of the kingdom (Matthew 13:44). When we probe the behavior of the man in the parable, and the implied behavior of the seller, we find there are more intriguing things going on. Commentators commonly question the…
For the next several weeks, the Christian Century is publishing brief lectionary essays of mine on its blog. You can find a meditation on the readings for June 1 here: http://www.theolog.org/blog/2008/05/blogging-towa-3.html.
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