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Luke

Table Talk

Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…

by Peter LeithartApril 19, 2016
music-violin
Biblical Theology

A Musical Case for Typological Realism, (Part 4)

Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…

by Alastair RobertsApril 14, 2016
John

Jesus' Burial Clothes

John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…

by James B. JordanApril 12, 2016
clock
Biblical Theology

A Musical Case for Typological Realism, (Part 3)

Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…

by Alastair RobertsApril 7, 2016
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Biblical Theology

A Musical Case for Typological Realism, (Part 2)

As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…

by Alastair RobertsMarch 31, 2016
biblioteca-vasconcelos-crop
Biblical Theology

Systematic Typology (Part Three)

The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…

by Mike BullMarch 29, 2016

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Ruth the Moabitess

A friend and former student, Aaron Cummings, writes: “If Ruth is ‘adopted’ as a daughter to Boaz, then her story becomes the reversal of the original story of Moab (Gen. 19). Lot’s younger daughter successfully seduced her father while he slept, and she conceived Moab. Ruth, Elimelech’s younger daughter in…

February 21, 2008

Potent righteousness

A class discussion of Proverbs brought out some interesting points. Proverbs 11:18 says that whoever sows righteousness will receive a sure reward. The verb “sow” is zr’ , the verbal form of “seed.” Righteousness is a seed sown, and the metaphor implies that righteousness is potent. What a seed produces…

February 21, 2008

With the maids

James Jordan points out that Boaz “adopts” Ruth into his household when he first meets her. The use of the Hebrew na’ar hints at this. Boaz speaks to his na’ar when he first arrives on the scene (2:5), and invites Ruth to drink water along with his na’arim (2:9). In…

February 21, 2008

Daughter Ruth

Boaz calls Ruth “my daughter” (2:8), as does Naomi. This indicates the age difference between them, but also points in a typological direction. After all, Boaz marries his “daughter,” just as Yahweh is both Father and Husband to “Daughter Zion.”

February 21, 2008
Literature

Microcosm

Garber notes that Jaques’s “seven ages” speech numerically links the ages of man with “the number of the planets, and the virtues and vices, and the liberal arts.” Specifically the planets: “the schoolboy is mercurial; the lover, venereal; the soldier, martial; the justice, jovial; the old man, saturnine.”

February 21, 2008
Literature

Nymph’s reply

Pastoral was a huge fad in Elizabethan England. Marlowe’s brief song of the shepherd exemplifies the conventions of the genre: Come live with me and be my love, And we will all the pleasures prove That valleys, groves, hills, and fields, Woods or steepy mountain yields. And we will sit…

February 21, 2008

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