Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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Margaret Garber points out that Arden, the name of the forest in As You Like It , is also the maiden name of Shakespeare’s mother, “so it is arguable that some nostalgia for childhood would double the geographical place with a psychological, or at least a remembered, place of ideal…
Rusty Reno’s discussion of nature and grace ( The Ordinary Transformed ) is not so satisfying as Jenson’s. Reno says that theology’s challenge is to explain the real relationship between nature and grace without detaching them or conflating them. Too intimate a relationship “implies a partnership between the ordinary and…
In the second volume of his systematic theology, Robert Jenson summarizes and critiques de Lubac’s theology of nature and grace. He agrees with de Lubac’s conclusion that the supernatural is not owed to nature because “the reverse in the case.” Quoting de lubac: “Nature . . . owes itself to…
Ward quotes Rosalind’s line, “Say a day, without the ever,” and asks, “Did Shakespeare know he had used all five vowels, and with such symmetrical elegance that the first two, appearing three times each, neatly surround the remaining three in correct order within: a-a-a-i-o-u-e-e-e?” He suspects not, but then observes…
AL Rowse counted some 25 references to the Cain and Abel story in Shakespeare’s plays. As You Like It has two - Duke Senior and Frederick, Oliver and Orlando. And there’s Hamlet Sr and Claudius, Edgar and Edmund, Prospero and his usurping brother. Not to mention all the brother-like rivalries…
In his introduction to As You Like It , John Powell Ward free associates on the Forest of Arden, to good effect: “Arden, garden, Garden of Eden (and Adam), ardent, Mary Arden, Arden in Warwickshire, the Ardennes in France - there are many leads into what is suggested. Despite the…
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