Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Flying scrolls. Red horses. Beasts coming out of the sea. Winged women. The list goes on. Apocalyptic literature in the Bible is like a cross between science fiction and Marvel comics. And the Bible has a fair bit of this sort of thing. Daniel sees visions in Babylon, Zechariah sees…
Trinity House Institute has taken a new name, the Theopolis Institute. This striking new name expresses our unique vision and mission and captures the unified purpose behind all our specific programs and activities. We still have Bible, liturgy, and culture in our tagline. We still offer the same courses on…
Adam Kotsko offers a socio-political variation on the Christus Victor atonement theory in his 2010 study, The Politics of Redemption: The Social Logic of Salvation . He does this by explaining "the devil" in terms of the Hegelian concept of "objective spirit," Geist . As Kotsko puts it, Geist "refers…
Two factors keep Nahtali Meshel from discussing the meaning of sacrifice until late in his The "Grammar" of Sacrifice . The first has to do with the texts he draws from: "P says little about the meaning of its rituals" (174). The other has to do with the grammatical theory…
Chapter 5 of Naphtali Meshel's The "Grammar" of Sacrifice focuses on "praxemics," the physical actions of sacrificial ritual. Praxemes are constituted by six elements: an "atomact," an elementary physical act or gesture; an actor; an object that is acted up; a target for the action and often for the object…
Two chapters of Naphtali Meshel’s The “Grammar” of Sacrifice cover what he calls “jugation” and “hierarchies.” The first involves the addition of other materials to an animal offering. Jugates include wine, cereal, and oil that are added to the animals (zoemes) that are offered in sacrifice. Some jugates are coordinated…
Showing page 167 of 309
Showing page 1 of 43
Margaret Garber points out that Arden, the name of the forest in As You Like It , is also the maiden name of Shakespeare’s mother, “so it is arguable that some nostalgia for childhood would double the geographical place with a psychological, or at least a remembered, place of ideal…
Rusty Reno’s discussion of nature and grace ( The Ordinary Transformed ) is not so satisfying as Jenson’s. Reno says that theology’s challenge is to explain the real relationship between nature and grace without detaching them or conflating them. Too intimate a relationship “implies a partnership between the ordinary and…
In the second volume of his systematic theology, Robert Jenson summarizes and critiques de Lubac’s theology of nature and grace. He agrees with de Lubac’s conclusion that the supernatural is not owed to nature because “the reverse in the case.” Quoting de lubac: “Nature . . . owes itself to…
Ward quotes Rosalind’s line, “Say a day, without the ever,” and asks, “Did Shakespeare know he had used all five vowels, and with such symmetrical elegance that the first two, appearing three times each, neatly surround the remaining three in correct order within: a-a-a-i-o-u-e-e-e?” He suspects not, but then observes…
AL Rowse counted some 25 references to the Cain and Abel story in Shakespeare’s plays. As You Like It has two - Duke Senior and Frederick, Oliver and Orlando. And there’s Hamlet Sr and Claudius, Edgar and Edmund, Prospero and his usurping brother. Not to mention all the brother-like rivalries…
In his introduction to As You Like It , John Powell Ward free associates on the Forest of Arden, to good effect: “Arden, garden, Garden of Eden (and Adam), ardent, Mary Arden, Arden in Warwickshire, the Ardennes in France - there are many leads into what is suggested. Despite the…
Showing page 1565 of 2212
Your weekly digest for all things Theopolis.
