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Luke

Table Talk

Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…

by Peter LeithartApril 19, 2016
music-violin
Biblical Theology

A Musical Case for Typological Realism, (Part 4)

Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…

by Alastair RobertsApril 14, 2016
John

Jesus' Burial Clothes

John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…

by James B. JordanApril 12, 2016
clock
Biblical Theology

A Musical Case for Typological Realism, (Part 3)

Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…

by Alastair RobertsApril 7, 2016
screen-shot-2016-03-31-at-9-32-11-am
Biblical Theology

A Musical Case for Typological Realism, (Part 2)

As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…

by Alastair RobertsMarch 31, 2016
biblioteca-vasconcelos-crop
Biblical Theology

Systematic Typology (Part Three)

The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…

by Mike BullMarch 29, 2016

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Literature

Sympathy for Bertram

Coleridge, on the other hand, stood up for Bertram: “I cannot agree with the solemn abuse which the critics have poured out upon Bertram in All’s Well that ends Well . He was a young nobleman in feudal times, just bursting into manhood, with all the feelings of pride of…

February 6, 2008
Literature

All’s Well?

Samuel Johnson said of Bertram in Shakespeare’s All’s Well that Ends Well : “I cannot reconcile my heart to Bertram, a man noble without generosity, and young without truth, who marries Helena as a coward and leaves her as a profligate; when she is dead by his unkindness, sneaks home…

February 6, 2008
Literature

Shakespeare the Christian

Belated help for a friend: Pastor Ralph Smith of the Mitaka Evangelical Church in Tokyo has produced an course entitled “Shakespeare the Christian.” The lectures cover Shakespeare’s debts to Christianity and his use of the Bible, and then analyze 10 of the plays in detail. Ralph has done his homework,…

February 6, 2008

Universal choir

Augustine on Psalm 149: “Chorus Christi jam totus mundus est.” Christ’s choir is now the whole world.

February 5, 2008
Theology

Augustine, postmodern cynic

Behind Varro’s classification of Roman religion into mythical, natural, and civic, Augustine discerns an interest, and a political one. Varro speaks harshly about the mythic or fabulous religions, for violating the dignity of immortal gods. Yet, the classification system serves to protect civic religion from similar condemnation. On Augustine’s reading,…

February 5, 2008
Politics

Musical city

Augustine quotes Cicero saying, “quae harmonia a musicis dicitur in cantu, eam esse in civitate concordiam.” That is, somewhat loosely, “what musicians call harmony in singing is concord in the city.”

February 5, 2008

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