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Church Calendar

The Good Friday Paradise Party

I grew up in the 1950s. This was before the "Sixties" and the democratization, informalization, and general cheapening of the church and her worship. Ministers were Father Donovan, Pastor Eckhart, Reverend MacPherson, Mister (Episcopal) Parker, and Brother Smith. Liturgical speech was high language, sounding kind of like the King James…

by James B. JordanMarch 25, 2016
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Hermeneutics

A Musical Case for Typological Realism, (Part 1)

Metaphor exerts a surprisingly powerful influence within our thinking. Although it is easily dismissed as little more than a figure of speech, when we attend more closely to the ways in which we use it, metaphor’s importance swiftly becomes more apparent. Although many of our metaphors have become quite invisible…

by Alastair RobertsMarch 24, 2016
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Creation

True Science

What is a tree, scientifically speaking? A mere googling gives the following answer: “a woody perennial plant, typically having a single stem or trunk growing to a considerable height and bearing lateral branches at some distance from the ground.” We can increase detail by describing its family, genus, species and…

by Remy WilkinsMarch 22, 2016
fasting
Church Calendar

Food for Thought from Ethiopia

The majority of Western evangelical Christians rarely, if ever, fast as a form of spiritual discipline. In our culture, fasting is more connected with dieting than worship, the other side of our deeply ambiguous fascination with food. Food is everywhere. We eat more than ever before, at greater speed, and…

by Sam BusseyMarch 17, 2016
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Biblical Theology

What is Systematic Typology? – Part Two

A Grammar of Creation An understanding of the visual-musical language of the Bible must begin with Genesis 1. This is fortunate, because when explaining biblical types to academics, as opposed to children, one is repeatedly forced to start from scratch. From birth, a healthy child is attuned to rhythm and…

by Mike BullMarch 15, 2016
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Art

Wall-E and the New Creation

In an inverse Eden, a land laid waste, one works alone tending the trash. There are none like him in all the earth, inquisitive, playful and most drawn to those mysterious, dancing bipedal creatures who lost earth and left it to go wandering the vast wilderness of space. Humans have…

by Remy WilkinsMarch 10, 2016

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Doing Ahab

Micah condemns the people of Judah for following the ways of Omri and Ahab. We know from Kings that this is precisely what Judah has been doing. Within Micah 6, though, there is a sharp pun. Verse 16 condemns Judah for doing the works of the house of Ahab, while…

January 9, 2008

Good for Adam

Faced with the indictment from the prophet Micah, Israel asks what it can do to pacify a scarily angry Yahweh. No number of ascensions will do the trick: What Yahweh requires is justice, covenant loyalty, humility (Micah 6:6-8). The famous “Micah Mandate” is addressed to “man,” which translates adam .…

January 9, 2008

Sermon Outline, First After Epiphany

INTRODUCTION Micah continues his indictment of Israel and Israel’s leaders. But in chapter 6, he gives positive instruction. What God demands is what is good - justice, lovingkindness, and humility (v. 8). THE TEXT “Hear now what the LORD says: ‘Arise, plead your case before the mountains, and let the…

January 9, 2008
History

Modernism’s challenge

Gabriel Josipovici has a stimulating piece in the November 30 TLS arguing that the modernists pose an enduring challenge to contemporary culture, particularly the contemporary novel. Modernism, he suggests, began with the French Revolution, when it was declared that “everyone was equal now and everyone, in principle, had equal opportunities.…

January 4, 2008

Wedding Sermon

1 John 4:7-8: Beloved, let us love one another, for love is from God; and everyone who loves is born of God and knows God. The one who does not love does not know God, for God is love. Let us Pray Heavenly Father, You have eternally loved Your Son…

January 2, 2008
Art

Aesthetic Autonomy

Taruskin also gives a new summary of the artistic theory behind many of the lamentations of classical music’s collapse, which he traces from Mendelssohn through Kant to Schopenhaur and Adorno: “The main tenet of the creed is the defense of the autonomy of the human subject as manifested in art…

January 1, 2008

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