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Luke

Table Talk

Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…

by Peter LeithartApril 19, 2016
music-violin
Biblical Theology

A Musical Case for Typological Realism, (Part 4)

Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…

by Alastair RobertsApril 14, 2016
John

Jesus' Burial Clothes

John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…

by James B. JordanApril 12, 2016
clock
Biblical Theology

A Musical Case for Typological Realism, (Part 3)

Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…

by Alastair RobertsApril 7, 2016
screen-shot-2016-03-31-at-9-32-11-am
Biblical Theology

A Musical Case for Typological Realism, (Part 2)

As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…

by Alastair RobertsMarch 31, 2016
biblioteca-vasconcelos-crop
Biblical Theology

Systematic Typology (Part Three)

The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…

by Mike BullMarch 29, 2016

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Day of Midian

Isaiah 9 describes not only a dawn, but the dawn of victory. With the light comes a multiplication of the nation, a repopulation of the land, gladness like the gladness of harvest (v. 3). This gladness is the result of a deliverance, a new exodus that will deliver Israel from…

August 11, 2007

Dawn and darkness

Matthew says that Jesus’ residence in Capernaum fulfills the prophecy of Isaiah 9 about the dawning in the land of Zebulun and Naphtali. There are several aspects to this. 1) Isaiah 9 comes at the end of a prophecy concerning the Aramean crisis in Judah. Rezin of Aram and Pekah…

August 11, 2007

Promise of Zebulun

It’s no wonder that the land of Zebulun and Naphtali, the region of Galilee, was considered a place of darkness. Towns had been sold to the Gentile Hiram, and apparently pronounced worthless (1 Kings 9). This region was the first to go into exile (2 Kings 15:29), and the Assyrians…

August 11, 2007
Literature

Austen the Romantic?

Though Austen lived almost two decades into the nineteenth century, she is usually characterized as a writer of the eighteenth. Her aesthetic and tastes were set in stone by 1800 (when she was 25), and she was untouched by romanticism. Indeed, she is often read as an anti-Romantic writer. The…

August 11, 2007
Literature

Austen the Abolitionist?

Gabrielle White offers an abolitionist reading of Austen’s work, and of Emma specifically. Part of the evidence is circumstantial. Some of Austen’s best-loved writers favored not only the abolition of the slave trade (which happened in 1807) but also the abolition of chattel slavery in British colonies (which didn’t happen…

August 11, 2007

Darcy and Elizabeth

Ellen Belton points out that in the 1995 BBC production of Pride and Prejudice , “Elizabeth and Darcy (Colin Firth) are hardly ever frames together until well into the second half of the film, and when they are shown in the same shot, the effect is to emphasize the obstacles…

August 11, 2007

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