Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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In his fascinating Faith of Our Fathers , Chan Kei Thong points to many biblical images embedded in Chinese characters. His argument could be made even stronger by looking at Hebrew terminology. For instance, he says of the character “zui,” which means sin, that “The top part is . .…
At the beginning of the Great Sacrifice performed by the Chinese emperor for centuries, singers sang the song of creation, addressed to the “Sovereign Lord” known as “Shang Di”: “Of old in the beginning, there was the great chaos, without form and dark. The five planets had not begun to…
One of the differences between those associated with “Federal Vision” theology and those opposed to it is a difference of theological imagination. The opponents operate with a theological imagination that distinguishes and clarifies; ontology is distinguished from relationality, nature from supernature, ecclesiology from soteriology. On the other side are theologians…
According to Adolf Loos, a turn of the 20th-century Viennese architect and critic, modern style combines beauty and practicality. Both are necessary: “By beautiful, what we mean is that something has achieved fullness, completion. But no useless, impractical object can really be described as ‘full’ or ‘complete.’” One can imagine…
Some initial observations on Nobuyoshi Kiuchi’s recent commentary on Leviticus in the Apollos series from IVP. 1) Kiuchi intriguingly translates hata and hatta’t , traditionally rendered in terms of “sin” or “purification” in terms of “hiding”: ” hata and hatta’t mean ‘to hide oneself’ and the condition of ‘hiding oneself,’…
A student points out that Hebrews 1-2:4 contains seven quotations from the Old Testament. Through these seven words, God speaks His Son as the new creation.
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