Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Mystical theologians are often unguarded, extreme, un-nuanced, pressing to the edges of heresy, sometimes beyond. Still, the mystics are worthy of study. Why? Many reasons. Unlike some late medieval and post-Reformation dogmaticians, mystical theologians are often instinctively and richly Trinitarian. Historical-critical approaches to Scripture left mystical theologians virtually untouched; mystics…
Portia of Belmont is a “lady richly left,” as Bassanio says of her in the first Act of The Merchant of Venice . Plus, she’s beautiful and wise. Suitors clamber to Belmont in hope. Her father knew it would be so, and in his will set up a fairy-tale test…
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In the nature of the case, “the” Christian meditation on Deuteronomy 14:1-21 cannot be written. Meditation offers too many possibilities, opens too many doors. There is not one and only one correct set of associations for a Christian to consider when thinking of Deuteronomy 14:1-21. We could, for example, consider…
Having retold the story of the cumulative sin of Israel leading to the great atonement on the cross, Paul then reemphasizes that, just as both Jew and Gentiles were locked into sin and judgment, now they are both justified by faith: Then what becomes of our boasting? It is excluded.…
Deuteronomy 14 is full of allusions to events of Israel’s history and other portions of Scripture. What would an Israelite learn by mediation on these allusions? The answer, I believe, is at least fourfold. Faith, Worship, War For the ancient Israelite first hearing Moses’ sermon, or perhaps hearing it read…
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JS Lawry says that Emma insults Miss Bates in an effort to liven up a dull party: “Like a virtuoso, she takes care that her art be equal to its occasions – but no more. Later, when a party seems dull, she will be brought to insult Miss Bates precisely…
David Southward suggests in a fascinating study of embarrassment in Austen’s novels, Emma “seems more concerned about ‘being looked at’ than she is about ‘doing wrong.’” When she holds a dinner party for the Eltons, it’s intended to avoid being “exposed to odious suspicions” that she is full of “pitiful…
David Southward suggests in a fascinating study of embarrassment in Austen’s novels, Emma “seems more concerned about ‘being looked at’ than she is about ‘doing wrong.’” When she holds a dinner party for the Eltons, it’s intended to avoid being “exposed to odious suspicions” that she is full of “pitiful…
Rousseau is not the only source of sentimentality in novels, the literature of sensibility. There are English resources, such as the free prayer tradition, which made spontaneity the test of sincerity. But Rousseau is one of the sources of this stylistic strategy, and a source that Austen would likely have…
Like Elizabeth Bennet, Emma Woodhouse’s desires for her man are awakened while exploring his property, Donwell Abbey with “all its appendages of prosperity and beauty, its rich pastures, spreading flocks, orchard in blossom, and light column of smoke ascending.” That this scene presents itself in Midsummer has been cause for…
Like Elizabeth Bennet, Emma Woodhouse’s desires for her man are awakened while exploring his property, Donwell Abbey with “all its appendages of prosperity and beauty, its rich pastures, spreading flocks, orchard in blossom, and light column of smoke ascending.” That this scene presents itself in Midsummer has been cause for…
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