Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…
In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…
“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…
Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…
“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…
In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…
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Marsden again: “The rise and fall of the adaptations . . . represents a pivotal moment in literary and cultural history, testifying to the new focus on language which would soon infiltrate all aspects of eighteenth-century thought. When concern for Shakespeare as text replaces emphasis on Shakespeare as performance, even…
Foucault argued in his essay on the development of the “author-function” that the modern conception of authorship evolved as authors came to be figured as sacred figures, holders of legal ownership of texts and words, which in turn conveyed “privilege or sanctity” to the text itself. Jean Marsden says that…
In a study of adaptations of Shakespeare in the 17th and 18th century, Jean Marsden argues that there was an inversion in the approach to Shakespeare sometime in the 18th century. Prior to that time, Shakespeare’s words were changed and modified, while the contexts of his plays remained the same;…
Notes for my lecture at the upcoming Moscow Ministerial Conference. INTRODUCTION I was assigned a lecture on Shakespeare and pop culture, and I’m almost going to do that. Not that Shakespeare and pop culture is an irrelevancy. There are a variety of ways to handle this question, all valuable. We…
1) The relationship between the world (KOSMOS) and desire is complex. Verse 16 indicates that desires and boastfulness make up the contents of the world – the desire of flesh, eyes, and boastfulness of life constitute the “all that is in the world” (PAN TO EN TO KOSMO). More on…
1 John 2:13-14 twice says that groups within the church “know the one from the beginning.” That is a perfectly fine way to translate it, but the Greek has TON AP’ ARXES, “the from the beginning.” To whom is this phrase referring? The more awkward translation suggests the possibility that…
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