Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Because of sin, the arts sometimes do not serve to glorify but to debase. Sinful men make their environments ugly, and create ugly art to “enhance” their ugly words. But since all men are still God’s images, no men are able to live with such ugliness all the time. Thus,…
Arts and literature reviews in most evangelical Christian publications generally approach their subjects in terms of ideology. We are told whether or not the film or book is acceptable in terms of morals, sexual graphicness, and theological accuracy. While there is definitely a place for such reviews, I fear that…
We speak of God as Father, Son, and Holy Spirit. The early Church tended to speak of Him as Father, Word, and Spirit. In this short essay, I want to suggest some other ways to think of the Trinity, ways that I have found pastorally helpful in my own life…
I, Yahweh your God, am a jealous God, visiting the iniquity of the fathers on the children, on the third and fourth of those who hate Me, but showing lovingkindness to thousands, to those who love Me and guard My commandments (Ex. 20:5-6). The Second Word forbids acts of ceremonial…
8. The Table of Nations If we assume births every two years, and about 30 years between generations (cp. Gen. 11:12-24), we can come up with an approximate series of dates for the generations recorded in Genesis 10. We shall assume that all three of Noah’s sons had their firstborn…
Zechariah’s first prophecy (Zech. 1:1-6) was delivered in the eighth month of the second year of Darius. The notation of this date serves a number of purposes. Most obviously, it relates Zechariah’s prophecies to those of Haggai. By the time Zechariah delivered his first prophecy, Haggai had already chided the…
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When John first talks about sin, he connects it to fellowship and walking in the light. He does not say, “If we walk in the light, the blood of Jesus cleanses us, and as a result we have fellowship with one another.” He says, “If we walk in the light,…
Stallybrass and White critize Bakhtin for conceptualizing the fair purely as a place of communal celebration, ignoring the commercial activities of the fair: “In developing this concept, Bakhtin succumbs to that separation of the festive and the commercial which is distinctive of capitalist rationality as it emerged in the Renaissance.…
Stallybrass and White again: The classical form “was far more than an aesthetic standard or model.” It might be better to say that there was a classicist aesthetic at work in other areas besides art. In any case, the classical body “structured, from the inside as it were, the characteristically…
Peter Stallybrass and Allon White ( The Politics and Poetics of Transgression ) summarize a point from Bakhtin: “Bakhtin was struck by the compelling difference between the human body as represented in popular festivity and the body as represented in classical statuary in the Renaissance. He noticed how the two…
Theologians normally treat the incarnation-to-burial of Jesus as the humiliation of the Son; resurrection-to-ascension exaltation. That’s correct, but there are other angles too. God hid His face behind a veil from the time of Moses to the incarnation. This is His humiliation - we might almost say, a display of…
Andre Gide wrote: “Has anyone, in explaining Hamlet’s character, made full use of the fact that he has returned from a German university? He brings back to his native country the germs of a foreign philosophy; he has plunged int a metaphysics whose remarkable fruit seems to me ‘To be…
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