Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
And the Word became flesh and tabernacled among us, and we beheld His glory...(John 1:14) Commentaries on John, discussing the Word or Logos in John 1, routinely turn to Greek philosophy and say that John is using a term and at least part of an idea familiar in the ancient…
Jeremiah Burroughs defines contentment as “that sweet, inward, quiet, gracious frame of spirit, which freely submits to and delights in God’s wise and fatherly disposal in every condition” Contentment is one Christian virtue that Americans have an incredibly hard time understanding and applying. We have such comfortable lives that we…
"The goal I have for myself, my family, and my church is total bible saturation. I expected the Exodus Intensive class to help me with that, but I am shocked just how much it did," said Mark Balthrop, a pastor in Oklahoma City who attended Theopolis' recent course on the…
In a characteristically pithy essay, Robert Jenson has decried the “two paired errors” of traditional atonement theory. On the one hand, the cross is separated “from its future, in the resurrection” and, on the other, from “its past in the canonical history of Israel.” For the apostles, crucifixion is “anything…
The Historical-Grammatical Nanny State Typological interpretation is either abused or frowned upon, a domain relegated to mystics and charlatans, where the angels of modern academia fear to tread. But what if the Bible itself contained safeguards against irresponsible flights of fancy? And if it did, what would they look like?…
It is harsh advice for a suffering soul to be told to be content, to be happy, to be delighting in the rough circumstances. Is Christian contentment something we should automatically have as a result of being in Christ? Is it something we do? Is it an action or is…
Showing page 135 of 309
Showing page 1 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
