Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If we say that we have no sin, we deceive ourselves, and the truth is not in us. (1 John 1:8) O God the Father, creator of heaven and earth, Alpha and Omega, beginning and end, who inspired Creation with the breath of your nostrils, who placed Adam in the…
For nearly a half-century, Sodom has been a key symbol in the American culture wars. On the one side, we have an aggressive movement among homosexuals that has first decriminalized homosexual conduct, then to force cultural and legal recognition of homosexuals as a minority and to normalize homosexual behaviors, finally…
Speaking of the Church, Romans 11:16-17 says, "And if the root be holy, the branches are also. But if some of the branches were broken off, and you, being a wild olive were grafted in among them and became partaker with them of the root of the fatness of the…
At the end of Isaiah 61, Yahweh's Servant rejoices because the Lord clothes Him with salvation and righteousness. He decks Him like a bridegroom with a garland on His head. He wears jewels like a bride. He is a new bridegroom in a new garden of Eden, a garden of…
Before anything else, a word about “Torah” may be in order. I have been persuaded that “law” is a bad translation of “Torah,” even though it is evident that what is called “Torah” does have commandments, statutes, and ordinances in abundance. Why not “law?” “Law” as a translation for “Torah”…
Few novelists seem as innocent of the temptation to punditry as Jane Austen. Though living through a period that witnessed the birth of an independent United States, the French Revolution and the Terror, the Napoleonic wars and the rise of revolutionary romanticism, and the upheavals of the Industrial Revolution, she…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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