Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Several months ago, I wrote a First Things essay on the life and ministry of Pastor Tom Clark of Tri-City Covenant Church in Somersworth, New Hampshire. Tom died shortly after that essay appeared, but during his last days we were able to spend a couple of days listening to Tom's…
Scene 1 Mr Faust sitting in a big chair, with Little Faust on his lap, reading. Mrs Faust sitting in another chair, knitting or something. Mr Faust : And I heard him exclaim As he drove out of sight Merry Christmas to all And to all a good night. (Closing…
Sadly, most Christians in the United States, when it comes to recognizing the dangers to their civil and religious liberties, sleep the sleep of ignorance that the disciples slept at Gethsemane before the arrest of Jesus. It ought to be obvious by now how “sexual orientation” laws and “gay marriage”…
From an early period in church history, Christians have confessed belief in a God who created “out of nothing.” God doesn’t need pre-existent matter to work with like a human artisan does; rather, God both calls into existence the material substrate he intends to work with, and he fashions whatever…
January 1 is the start date for a New Year's resolution. December is the month to start making plans for those resolutions. Perhaps the most common resolution Christians make is to read through the Bible in a year. But that resolution runs into a big challenge near the outset: Leviticus.…
BIRMINGHAM, AL – The ECFA (Evangelical Council for Financial Accountability) announced today the accreditation of Theopolis Institute of Birmingham, AL. ECFA accreditation is based on the ECFA Seven Standards of Responsible Stewardship™ , including financial accountability, transparency, sound board governance and ethical fundraising. Theopolis Institute joins a growing number of…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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