Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Paradosis Center at John Brown University in Siloam Spring, Arkansas, put on its first conference last week, it was a remarkable event. It was an ecumenical conference including Orthodox (John Behr, Edith Humphrey, others), Catholic (Rusty Reno, Michael Root, others), and Evangelical (Timothy George, David Lyle Jeffrey). Unusually for…
Naphtali Meshel observes in his new The "Grammar" of Sacrifice that scholars have been talking for decades about the "grammatical" character of ritual and sacrifice in general, but have never actually analyzed a specific ritual or sacrificial system grammatically. Some even talk about a "universal grammar" of sacrifice "even though…
Some Christians are rather breezy about the problem of evil. We shouldn't be. Do I need to remind you of the grisly beheadings that have taken place over the past few weeks? Do I need to remind you of the blood of innocents that’s been spilled in our own country?…
Have you ever been to a wedding where the heavens opened and a voice declared the couple “husband and wife”? Few of us have. Beautiful as they are, most marriages are quite mundane. Yet when Jesus talks about marriage, He describes it as something that God does: “What God has…
Jesus is the last and greatest of the Prophets. He is the Prophet that Moses predicted (Deuteronomy 18). That means He gives the final word, brings the blueprints for the final temple, speaks the final world into existence, and has complete and permanent access to the divine court, where He…
Paul stands against those who are “troubling” or “disturbing” the Galatians churches ( tarasso ; 1:7; also in 5:10). The reference seems to be two great troublers from the Old Testament. First, Achan is described as a “troubler” for the problems he causes in the aftermath of the battle at…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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