Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
First, what is going on in Ukraine is not for the European Union or against Russia. It is about the Ukrainian people’s dignity and destiny. They are tired of a corrupt government which acts like a tyrant, robbing and looting from its people, and they hate a judicial system where…
"Now after Jesus was born in Bethlehem of Judea in the days of Herod the king, behold, wise men from the east came to Jerusalem, saying, “Where is he who has been born king of the Jews? For we saw his star when it rose and have come to worship…
Atheists love to embarrass Christians with a snide reference to the story of Elisha setting two bears upon some helpless children. What nobody, even Christians, seem to get is the “Covenant significance” of all the players in the story, harking back to Moses. The prophets were, after all, God’s “repo…
Preaching is in trouble. The classic models of the preacher as teacher of doctrine or as herald of the gospel are flawed, and don’t hit home in the postmodern world, which is oriented to images and mystery rather than to linear discourse and rationality. Trygve Johnson suggests an alternative that…
The following remarks were given to introduce the first annual Nevin Lectures, February 7, 2014. Trinity House was founded in 2012 to promote the reformation of the church by training pastors, future pastors, and lay people in Scripture and liturgical theology. We believe the church exists for the life of…
We can gain basic insights into the nature and function of the tabernacle by considering the biblical terms and phrases used for that structure. Exodus 25:1-9 begins the lengthy instructions for the construction of the tabernacle, and it uses some of the key terms for understanding the theology of the…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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