Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the Fall 2007 issue of JBL is an essay “Jonah Read Intertextually” by Hyun Chul Paul Kim of Methodist Theological School in Delaware, Ohio. The first section of the essay points to numerous linguistic and conceptual parallels between Jonah (“Dove”) and the Noah narrative: Destruction of the earth, including…
The phone rang. “Hello, this is John Mark.” “Hi, JM. This is Simon Peter.” “Oh, hello, Mr. Rock,” said Mark. “What can I do for you?” “Well, JM” said Peter, “I’ve been very impressed by your recent essays in the New Jew Review , especially your series on David as…
The sun had set and finally the crowds had dispersed. The disciples gathered in the upper room, exhausted but joyful after preaching and teaching in many different languages all day, not to speak of seeing to the baptism of three thousand people. James bar Alphaeus put on a CD of…
There was a time, I think, when Evangelical Christianity in North America tended to be dominated by what might be (pejoratively) called a “retreatist” or even “defeatist” view of society. For various reasons, Christians believed that society was headed downhill and there was nothing the Church could do about it,…
Hebrews 11 makes it very clear that Abram (later, Abraham) exercised saving faith from the time he left his home to go wonder in Caanan. He was justified at least from the time of the call in Genesis 12.1-3 on. Yet I keep reading people who think that any appeal…
I spent the last few days at A Conversation on Denominational Renewal , which thankfully met in St. Louis. The conference was well attended, about 300 or more people. The audience was mostly PCA ministers and elders, but because it was held in St. Louis there were a good many…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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