Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
First John 5.16-17: If anyone sees his brother committing a sin not leading to death, he shall ask, and God will give him life–to those who commit sins that do not lead to death. There is sin that leads to death; I do not say that one should pray for…
A few years back I read Lesslie Newbigin’s little book Truth and Authority in Modernity . 1 I was particularly impressed with his argument in chapter 2 “The Mediation of Divine Authority.” Now, maybe this is old hat to many of you, but I don’t think I’ve ever heard it…
Baptism is not Christian circumcision. There’s a lot of loose talk to that effect in Presbyterian circles; but it’s not accurate. The old world rite of circumcision was fulfilled in the death and resurrection of Jesus. Baptism unites us to Christ and therefore makes us participate in the circumcision of…
In recent years I’ve observed a number of Reformed-type churches trying to institute corporate handraising in certain sung parts of worship. This often does not seem to work very well. Some people don’t do it. Some do it half-way. Some do it with one hand. Some dramatically stretch to the…
Most modern scholars recognize that behind Arius’s campaign to differentiate Jesus from God was the Hellenistic theological conviction that the high God cannot suffer. Rowan Williams argues that Arius had the right idea about divine suffering, but the wrong idea of God, which “puts the unavoidable question of what the…
Charismatics have been much maligned for constantly “praising the Lord.” They would say if you hit your finger with a hammer, you should instantly say, “Thank you Jesus that You let me hit my finger…” This of course, as we all know, is stupid. There was once a lady who…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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