Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Keeping the Law Paul states just as emphatically as James that the doers of the law will be justified (Rom. 2:13; James 2:14ff). But who are these doers of the law? Is Paul speaking hypothetically of a class of sinless people who do not really exist? Or does he have…
I have entitled this super-condensed piece to capture interest, but the fact is it sets forth what I have believed and taught long before I had ever heard of the so-called “new perspective.” For example, one can look at my paper on Ephesians 2.15 , written before I had ever…
N. T. Wright and other “New Perspective on Paul” (NPP) theologians have been criticized and condemned for speaking of justification in various “tenses.” In fact, Wright typically begins discussions of justification with future justification and works his way back to the present. But this is hardly a novelty. While the…
A doctrine of “faith alone” must be explicated and lived out in the light of the larger story of faithfulness, a story that reaches its climax in Jesus, the faithful Messiah. Indeed, the idea of “faith alone,” and even Paul’s use of the OT in service of that idea, makes…
In every city in the United States there are at least a couple of Christian radio stations which broadcast preaching around the clock, seven days a week. Many areas have a Christian television station or two which broadcast worship services several hours a day. Almost any bookstore will have a…
The queston has been discussed: which is prior, faith or repentance? It is an unnecessary question and the insistence that one is prior to the other is futile. There is no priority. The faith that is unto salvation is a penitent faith and the repentance that is unto life is…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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