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Apologetics

Presumptuous Presuppositions: The Apologetics of Cornelius Van Til

Whether one entirely agrees with him or not, no Christian interested in apologetics–the reasoned defense of the Faith–can afford to be uninterested in Cornelius Van Til, the late professor of Apologetics at Westminster Theological Seminary in Philadelphia. According to John Frame, Van Til “is perhaps the most important thinker since…

by Mark HorneJuly 15, 1997
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Baptism

Richard Bacon’s “What Mean Ye By This Service? Paedocommunion in Light of the Passover” A Brief Response

Reverend Richard Bacon is the pastor of First Presbyterian Church of Rowlett, Texas. He has written a tract entitled “What Mean Ye By This Service? Paedocommunion in Light of Passover,” printed by Presbyterian Heritage Publications (P.O. Box 180922, Dallas, TX 75218). I am writing this brief response to set forth…

by Mark HorneJuly 6, 1997
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Angels

Twelve Fundamental Avenues of Revelation, Part 5

As we move toward a consideration of Dynamic Cosmic Revelation, there is a further aspect of revelation through action that should be discussed here, and that is this: God is particularly revealed to us in times of crisis and distress. When things are going well, we forget God. When distress…

by James B. JordanJuly 3, 1997
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Biblical Chronology

John Sailhamer Weighs In, Part 4

We conclude our analysis of John Sailhamer’s book *Genesis Unbound: A Provocative New Look at the Creation Account* (Multnomah Books, 1996), which argues that Genesis 1:2ff. is not about the creation of the whole world, but about the preparation of the Land of Eden, which is also the Promised Land.…

by James B. JordanJuly 3, 1997
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Biblical Horizons

The Sin of Ham and the Curse of Canaan, Part 2 (An Exposition of Genesis 9:20-27)

Commentary A. Noah’s God-like Labor: 8:20 And Noah, a master of the ground, was the first, And he planted a vineyard. 21 And he drank from the wine, And became drunk, And lay uncovered inside his tent. It appears to me that there is a balance between "ground" and "tent"…

by James B. JordanJuly 3, 1997
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How to Worship

Why Does the Pastor Wear a Robe?

A Defense of the Use of the Ministerial Robe in Public Worship The purpose of this series of articles is to explain our biblical philosophy of worship and how we have sought to implement it here at Providence Reformed Presbyterian Church. We have thought through our worship services. We have…

by Jeff MeyersJune 20, 1997

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Literature

The Politics of Playing

Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…

September 28, 2006
Literature

Shakespeare regulated

How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…

September 28, 2006
Literature

American Shakespeare

Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…

September 28, 2006
Literature

Popular Shakespeare

Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…

September 28, 2006
Literature

Courtly Shakespeare, IV

By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…

September 28, 2006
Literature

Courtly Shakespeare, III

Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…

September 28, 2006

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