Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1. Introduction Reverend Richard Bacon is the pastor of First Presbyterian Church of Rowlett, Texas. He has written a tract entitled " What Mean Ye By This Service? Paedocommunion in Light of Passover, " printed by Presbyterian Heritage Publications (P.O. Box 180922, Dallas, TX 75218). I am writing this brief…
A Defense of the Use of Coordinated, Congregational Prayer in Public Worship My goal in this series of articles is to equip the members of Providence Reformed Presbyterian Church to worship God intelligently on Sunday and also to help visitors understand the biblical and theological rationale for our form of…
Several implications flow from this first group of considerations. First (D1), nature and natural objects reveal God to the eye of faith. The study of nature is the study of the design of the Spirit, and from it we learn how God designs things, and how we as His images…
Does the chronology in the Bible begin with the creation of Adam or with the creation of the universe? That is the question we are exploring this year. In January and February we took up the "Framework Hypothesis" as advocated by its most scholarly and powerful exponent, Dr. Meredith G.…
In preparing an essay on Matthew 24-25 for our subscription essayletter Studies in the Revelation , I have found it necessary to consider the structure of Matthew’s gospel as a whole. The following are the fruits of my research, such as they are. This essay is not intended as the…
An Explanation of and Apology for the Use of the Apostles’ and Nicene Creeds in Worship With the rest of the country I anxiously watched the siege of the Branch Davidian compound in Waco, Texas, but there is one image that I will always remember. It is not the firefight…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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