Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Hearing, Seeing, and History God is Word, not picture. He speaks, but He is not visible in Himself. Thus, God initiates history through language. He speaks the world into existence, and speaks to us to bring us out of formlessness and emptiness into the fullness of being His Bride. Similarly,…
The consensus of modern critical scholarship is that the book assigned to Isaiah was in fact composed by several different hands. "Deutero-Isaiah" supposedly begins with Isaiah 40:1. There are many good reasons for rejecting this conclusion. Among these, the narrative pattern of chapters 36-39 is a neglected piece of evidence.…
Eugen Rosenstock-Huessy has pointed out throughout his many fascinating and occasionally quixotic writings and lectures that human life exists in four directions. These four directions are inward, outward, backward, and forward. In this article I want to explore these as they relate to the work of the Church. Each of…
14. Joseph and Judah Genesis 38 tells us about Judah’s sons and grandsons, and if we try to get these events into the time before the descent of the Hebrews into Goshen, it is very difficult to do so. But this passage is almost certainly dischronologized. Thematically Genesis 38 is…
From time to time I am asked what is good SF and fantasy that teenagers in Christian and home schools might enjoy. The following brief discussion is my answer that question. I’ve tried to point out authors and stories that are not widely known, and therefore have set aside G.…
"And many of those who sleep in the dust of the ground will awaken, some to life everlasting and others to disgrace, to contempt everlasting." This verse is often cited as proof that there was a belief in the resurrection of the body in the Old Testament times. In fact,…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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