Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This month we begin to set down in order comments on all the calendrical and chronological statements in the Pentateuch (Genesis – Deuteronomy), gathering into one place all the fruits of our labors in this area. 1. The Days of Genesis 1 Despite the confusion and the tergiversations surrounding the…
Donald Wesley Patten, Catastrophism and the Old Testament: The Mars-Earth Conflicts (Pacific Meridian Publishing Co., 1988), reviewed by James B. Jordan. In this book, Donald Patten contends that the planet Mars originally had an eccentric orbit that brought it into near proximity to the earth a number of times in…
Last month we began a survey and review of Centuries of Darkness by Peter James. 1 The thesis of this book is that the dark ages that supposedly happened all over the Mediterranean world between about 1100 and 800 B.C. never actually happened, and that these dark ages, as well…
As we consider the Age of the Law, which begins with the public enthronement of Yahweh (the Second Person of God; the Son; the Word) on Mount Sinai and then in the Tabernacle, we need to consider the Ten Words. These are generally called the “Ten Commandments,” but that is…
Here, I begin presenting material and research that will, God willing, find eventual publication as Through New Eyes, Volume II. In Through New Eyes (part I) I sought in a general way to explain some of the symbolism and imagery of the Bible, showing that it is through such symbolism…
In 1971 there appeared a privately published book dealing with the problems surrounding the chronology of Egypt as it relates to the Bible: The Exodus Problem and Its Ramifications , by Donovan A. Courville. 1 At the time, Dr. Courville (Ph.D., Chemistry) was emeritus professor of Bio-chemistry at the School…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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