Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
"Vanity of vanities", says the Preacher. "All is vanity". Life, we are told in the book of Ecclesiastes, is a repetitious, wearisome cycle; all that is and all that will be has already been. There is nothing new under the sun. What is crooked cannot be made straight, what is…
The Bible tells us that when God created the earth, He set up three zones of life. The first was the world itself. The second was the holy land of Eden. And the third was the Garden in Eden, God’s sanctuary. God told Adam and Eve that every tree was…
In our survey of Biblical chronology we have arrived at the books of Ezra and Nehemiah, which provide chronological information for the period after the return from exile, the Restoration Period of Old Testament history. The question we begin to address in this essay is whether the Artaxerxes of these…
These verses from the Sermon on the Mount are generally taken in connection with Jesus’ earlier statement concerning adultery in the heart (vv. 27-28); the eye and the hand have obvious relevance to the sin of adultery. At the same time, most commentators admit that the principle of avoiding occasions…
17. The eye that mocks a father, And despises to obey a mother, The ravens of the valley will pick it out, And the young eagles will eat it. 18. There are three things that are too wonderful for me, Four that I do not understand: 19. The way of…
The modern Church in America and virtually everywhere else is ideology-centered, not geographical. This is because various Churches believe different things and have different customs of worship and sacraments. The ideological Church has gradually developed from the time of the Reformation, because accuracy of doctrine has become more important to…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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