Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
But Michael the archangel, when he disputed with the devil and argued about the body of Moses, did not dare pronounce against him a railing judgment, but said, "The Lord rebuke you" (Jude 9). Jude 9 raises several difficulties (though not insuperable difficulties) for conservative commentators. The event that Jude…
The prophecy of Jude concerns apostasy. An illustration of apostasy and its consequences is found in verse 6, which the New American Standard Bible translates this way: "And angels who did not keep their own domain, but abandoned their proper abode, He has kept in eternal bonds under darkness for…
One of the most pressing problems facing Christians today is how the faith relates to the crises of our civilization. On all sides, Christian spokesmen are trying to offer solutions and perspectives on social issues, in order to try and reform our degenerating society. Abortion, pornography, homosexuality, immigration, war, criminal…
In the last several months, a number of people have written or phoned to ask me why I and the other men of Geneva Ministries are remaining in a tiny Presbyterian denomination, rather than joining a large, historic, liturgical body. The question arises, it seems, because in my writings and…
One of the unrecognized and most deadly evils of modern life’s facets is Chinese food. Most people are wholly unaware of the critical nature of the Chinese food question, and blithely continue to participate in this wicked and dangerous activity: eating Chinese food. Of course, to speak against such a…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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