Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Maybe you have heard it said that you will be content when you learn to empty yourself of all your desire. If you want nothing, you will always be happy with what you have. Maybe this seemed like an extremely godly point of view, and you felt guilty that you…
I write to mark a milestone and to commend to you an old book: my first philosophy book, Longing to Know: The Philosophy of Knowledge for Ordinary People (Brazos, 2003), has reached its twentieth anniversary. Although two decades have passed, the book continues to be relevant to our affairs in…
Consider what we mean today when we talk about “discipling” someone. In a typical evangelical setting, that’s going to mean you grab a cup of coffee for an hour once a week. You’ll talk about life, share some wisdom, pray for each other. There may be Bible reading and Scripture…
Theopolitan Bible Memorization BINDING THE WORD TO YOUR HEART Memorization has been an important tool for humanity since the beginning. In an age where smart phones are ubiquitous, memorization appears outdated. Why memorize anything that could be looked up on a phone in seconds? This new technology leaves many unable…
2022-2023 Prize The Theopolis Institute is pleased to announce the third round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural…
“Gender is a social construct,” the transgender apologists tell us, thinking with that single stroke they’ve negated gender roles; that they’ve relegated them to the optional, like what kind of cuisine you prefer. Sure, you may be born Italian but that doesn’t mean you’re now bound, by the expectations of…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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