Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I revisited Athanasius’s On the Incarnation in light of Advent this year. A particular passage struck me with a question that I hadn’t considered before. When addressing Adam’s fall, Athanasius says this: “If then there were only the offense and not the consequence of corruption, repentance would have been fine.…
There is much wisdom for kings in the first letter of Paul to the Church in Corinth. As I am preaching through this letter, this is one of the major themes that stands out. That is the theme of the reign of the Christian as we live in union with…
1 The title should not be a surprise to anyone who believes the Bible to be true. According to the Bible, any and every faith and religion that does not conform to the Gospel of Christ are not only false, but ultimately inspired by false spirits. Though Jeffrey Niehaus is…
Names are weighty things, a fact repeatedly evidenced in the biblical narrative. There are several occasions when the names mothers or fathers chose for their children, and the reasons for which the names were chosen, are given extended attention in the text. Much of Genesis 29 and 30, for instance,…
Growing up, I was crestfallen about any Christmas that fell on Sunday. Christmas on Sunday meant going to church when I’d rather lollygag around the Christmas tree in my pajamas, playing with new toys. Christmas on Sunday was a drag. If I still felt that way, I know what I’d…
Growing up in the church in Southern America, there was an oft-used category for leaders in the church. It was a category which was used to justify a variety of rules and restrictions on church leaders. Leaders were to be “above reproach” and that meant not drinking in public or…
Showing page 36 of 309
Showing page 1 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
