Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Bible reader that is mindful of patterns, is aware of the creation markers of Noah's flood. The Earth is deformed and is made into a ball of water, which then is made new with new promises and obligations to the New Adam (Noah) and his offspring. One of the…
Exposing Nakedness “Picasso did not paint for the eyes but for the gut. He painted for the gut that the eyes might be opened.” I was at ease, and he broke me apart; he seized me by the neck and dashed me to pieces. (Job 16:12) One only has to…
For preventing the unvaccinated people in Mississippi from being a burden on their friends, teachers, or waiters, and for making them beneficial to the public. Dr. Jonathan Swift It is a melancholy object to those who walk through a great southern college town, or travel throughout Mississippi, when they see…
Throughout the world, governments are aggressively pushing COVID vaccines. Some have instituted mandates or vaccine passports. Many are losing patience with the unvaccinated, even proposing that they have forfeited the right to certain health services . The unvaccinated have become deplorables—the undeserving sick. This COVID regime has been bolstered by…
Although nowadays gap theories are associated with dispensationalism, it was not always so. In the nineteenth century, scholars from a variety of backgrounds (Anglican, Reformed, and proto-fundamentalist) seem to have become fascinated by gaps. If you are not familiar with what I am talking about, this piece will acquaint you…
What kind of father gives his son a stone when he asks for bread, or a serpent when he asks for a fish? The answer is, the Heavenly Father! Jesus rarely stated the obvious, and this particular question in His Sermon on the Mount concerning the fatherhood of God is…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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