Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If we say that we have no sin, we deceive ourselves, and the truth is not in us. (1 John 1:8) O God the Father, creator of heaven and earth, Alpha and Omega, beginning and end, who inspired Creation with the breath of your nostrils, who placed Adam in the…
For nearly a half-century, Sodom has been a key symbol in the American culture wars. On the one side, we have an aggressive movement among homosexuals that has first decriminalized homosexual conduct, then to force cultural and legal recognition of homosexuals as a minority and to normalize homosexual behaviors, finally…
Speaking of the Church, Romans 11:16-17 says, "And if the root be holy, the branches are also. But if some of the branches were broken off, and you, being a wild olive were grafted in among them and became partaker with them of the root of the fatness of the…
At the end of Isaiah 61, Yahweh's Servant rejoices because the Lord clothes Him with salvation and righteousness. He decks Him like a bridegroom with a garland on His head. He wears jewels like a bride. He is a new bridegroom in a new garden of Eden, a garden of…
Before anything else, a word about “Torah” may be in order. I have been persuaded that “law” is a bad translation of “Torah,” even though it is evident that what is called “Torah” does have commandments, statutes, and ordinances in abundance. Why not “law?” “Law” as a translation for “Torah”…
Few novelists seem as innocent of the temptation to punditry as Jane Austen. Though living through a period that witnessed the birth of an independent United States, the French Revolution and the Terror, the Napoleonic wars and the rise of revolutionary romanticism, and the upheavals of the Industrial Revolution, she…
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To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…
Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…
In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…
In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…
when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…
when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…
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