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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Culture

On Foul Language

The Stranger: Do you have to use so many cuss words? The Dude: What the f*ck you talking about? - The Big Lebowski There was a man I knew, an elder at his church, who, whenever he was called upon to announce a pregnancy, preferred the euphemism “with child” because…

by Remy WilkinsJanuary 12, 2016
organ-pipes
How to Worship

Pipes Worth Playing

I know what you’re thinking. Organ: funeral, ball game, grand dusty cathedral. Why should modern Christians of such a technological age revisit a thousand year-old instrument? Don’t worry, I will not be trying to punch another hole in my Weird Music Preferences and Opinions card here. The truth is, our…

by Jarrod RicheyJanuary 7, 2016
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James

Do Things Have Natures?

Do things have natures? As I am posing the question, it is not simply a question of whether there are particular kinds of things in the world that have characteristic features, patterns of behavior, trajectories of growth and development. If that is what the word means, then the answer is…

by Peter LeithartJanuary 5, 2016
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Theopolis News

2016 Nevin Lectures with Father John Behr

We are excited to announce our 2016 Nevin Lectures featuring Father John Behr. Fr. John is the Dean of St. Vladimir's Seminary and Professor of Patristics, as well as the author of multiple works. He will be delivering three lectures over the course of two days dealing with "What Protestants…

by Brian MoatsJanuary 4, 2016
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Creation

Time, Curse or Gift?

New Year's Day makes one reflective, at least about the past year, perhaps about life, perhaps, more broadly, about time itself. Many view time as a curse. Some see it as a curse because of missed chances. As one day or year moves on to the next, all we can…

by Peter LeithartDecember 31, 2015
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Advent

The Manger

It seems a truism to say that we live in the world: that the world is outside of us. In reality the world is very much inside of us too. In fact the world passes through us as much as we pass through it. We breathe in its air, using…

by Arthur KayDecember 29, 2015

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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