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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Exodus

Introduction to the Ascensions

Before considering the details of the Leviticus, we must have before us certain matters that have been established in Genesis and Exodus. These are things that we as Israelites already know when we first hear Moses report what God dictated to him in Leviticus. Adam Let us begin with Adam.…

by James B. JordanJuly 5, 2001
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Biblical Studies

Leviticus 1:2

(continued from issue 142) 2 “Speak to the sons of Israel and say to them, ‘An adam, 1 when he brings near from you p a Nearbringing 2 to Yahweh, from livestock 3 from the herd and from the flock you p shall bring near your p Nearbringing. 4 2.…

by James B. JordanJuly 5, 2001
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Luke

Correcting Two Mistakes of the Law-Gospel Hermeneutic

Trying to Deal Honestly with Luke 10.25-37; 18.18-30; and Parallels When Christ enjoins upon the young man the duty of following him (Mt. 19:23), he does not give a counsel, but a command to all in common because no one can have a hope of salvation unless he follows Christ…

by Mark HorneJune 6, 2001
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James

"We Have One Father, Even God"

Initial Observations: How the Gospel Challenged the Pharisees In another paper , I argued that the “Law-Gospel” hermeneutic, as applied to Luke 10.25-37; 18.18-30, resulted in a fundamental misreading of the text. Thinking of the context of those passages in Luke’s Gospel has given me some further reflections on how…

by Mark HorneJune 5, 2001
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Biblical Studies

Leviticus 1:1-2

I recently heard of a new English translation of the Bible being prepared by men concerned to preserve a literal word-for-word rendering of the Hebrew and Greek but also sensitive to ecclesiastical tradition. I wrote to the committee and asked if they were going to fix the traditional translation of…

by James B. JordanJune 5, 2001
Sin

“JESUS IS LORD”: A Practical Suggestion for Struggling with Sin

All Christians struggle with sin. Many times even relatively mature Christians commit sins they thought they had long since left behind and end up struggling anew with sinful habits in thought, word, or deed. Naturally, this means they must rouse themselves to action in putting to death the deeds of…

by Mark HorneJune 3, 2001

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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