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Apologetics

Presumptuous Presuppositions: The Apologetics of Cornelius Van Til

Whether one entirely agrees with him or not, no Christian interested in apologetics–the reasoned defense of the Faith–can afford to be uninterested in Cornelius Van Til, the late professor of Apologetics at Westminster Theological Seminary in Philadelphia. According to John Frame, Van Til “is perhaps the most important thinker since…

by Mark HorneJuly 15, 1997
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Baptism

Richard Bacon’s “What Mean Ye By This Service? Paedocommunion in Light of the Passover” A Brief Response

Reverend Richard Bacon is the pastor of First Presbyterian Church of Rowlett, Texas. He has written a tract entitled “What Mean Ye By This Service? Paedocommunion in Light of Passover,” printed by Presbyterian Heritage Publications (P.O. Box 180922, Dallas, TX 75218). I am writing this brief response to set forth…

by Mark HorneJuly 6, 1997
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Angels

Twelve Fundamental Avenues of Revelation, Part 5

As we move toward a consideration of Dynamic Cosmic Revelation, there is a further aspect of revelation through action that should be discussed here, and that is this: God is particularly revealed to us in times of crisis and distress. When things are going well, we forget God. When distress…

by James B. JordanJuly 3, 1997
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Biblical Chronology

John Sailhamer Weighs In, Part 4

We conclude our analysis of John Sailhamer’s book *Genesis Unbound: A Provocative New Look at the Creation Account* (Multnomah Books, 1996), which argues that Genesis 1:2ff. is not about the creation of the whole world, but about the preparation of the Land of Eden, which is also the Promised Land.…

by James B. JordanJuly 3, 1997
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Biblical Horizons

The Sin of Ham and the Curse of Canaan, Part 2 (An Exposition of Genesis 9:20-27)

Commentary A. Noah’s God-like Labor: 8:20 And Noah, a master of the ground, was the first, And he planted a vineyard. 21 And he drank from the wine, And became drunk, And lay uncovered inside his tent. It appears to me that there is a balance between "ground" and "tent"…

by James B. JordanJuly 3, 1997
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How to Worship

Why Does the Pastor Wear a Robe?

A Defense of the Use of the Ministerial Robe in Public Worship The purpose of this series of articles is to explain our biblical philosophy of worship and how we have sought to implement it here at Providence Reformed Presbyterian Church. We have thought through our worship services. We have…

by Jeff MeyersJune 20, 1997

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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