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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Toleration Without Liberalism

W e Americans pride ourselves on our religious freedom absolutism. Officially, the U.S. permits all religious expression and prohibits none. In reality, the situation is more complicated, since the scope of “religious expression” has to be negotiated by American courts. Polygamy isn’t protected religious practice, for instance, and a Presidential…

April 26, 2017

Othello Off Pitch

T he Sam Wanamker Playhouse, a Jacobean theater in the Globe complex in London, seats 340 in three tiers, tightly crowded on backless benches. During performances, the stage is lit by candles burning from six chandeliers. Actors enter and exit within inches of the audience. During Othello a few weeks…

April 26, 2017

Mugabe and the Pastor

T he Mail & Guardian Africa reports on Zimbabwean pastor Evan Mawarire, who has inspired a nationwide resistance to Robert Mugabe and now faces sedition charges. In April 2016, Mawarire “draped Zimbabwe’s flag over his shoulders, logged on to Facebook and delivered a passionate appeal to his fellow countrymen. He…

April 25, 2017

House of Prayer

The Chronicler's account of the completion of the house of the Lord (2 Chronicles 5-7) is arranged in a fairly neat chiasm. A. Solomon finishes ( shalam ) work, 2 Chronicles 5:1 B. Solomon celebrates the feast in the seventh month, 5:2 C. Levites take ark into the house, with…

April 24, 2017

Malick's Hollywood

Terrence Malick has been on a filmmaking tear, most recently releasing Song to Song . He's back, but that hasn't dulled his skepticism about the film industry. Brett McCracken sees Malick's earlier Knight of Cups as, in part, a reflection of Malick's “complicated relationship with Hollywood”: “Malick’s critique of Hollywood,…

April 21, 2017

Disenchanted Marxists

Karol Berger argues ( A Theory of Art ) that Lyotard's famed distinction of modern and postmodern is “far too stark.” In fact we aren't faced with a simple choice “between a belief in universal history grasped by an all-explaining meta-narrative and a belief in a plurality of equally valid…

April 21, 2017

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