Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When Jesus says in the farewell discourse that his disciples know the way to where He is going, Thomas replies: “We do not know where you are going. How can we know the way?” Jesus answers Thomas, but He gives Thomas more than he asked : “I am the way,…
Through the pandemic we learned a lot about infections, how to catch them, what’s contagious, how to protect yourself from getting the infection. I learned a lot of new terms, like “social distancing,” “ppe” (personal protective equipment), N95 masks, and so on. We’ve seen that people are willing to go…
In Genesis 9:20, Noah is called “a man of the soil”. This phrase is a bit of a shock in the Hebrew; though it’s made up of two very common words - 'ish is “man” and 'adamah is “soil” or “ground” - these two words are never used together before…
Harold Bloom’s discussion of Twelfth Night in his Shakespeare: The Invention of the Human is, as would be expected, insightful. It displays his deep love of poetry, and includes some truly eloquent descriptions of Orsino: “that sublimely outrageous lover of love” and “amiable erotic lunacy.” Bloom is worth reading just…
There have been times when Evangelicals, in an attempt to be clear about the errors of Rome and Constantinople concerning Mary, have been so denigrating of the mother of our Lord that they sounded more like cut and pasted lines from the Babylonian Talmud than they did disciples of Mary’s…
Awe is the phenomena experienced when one looks up and lights upon the height, majesty, and mystery of the California Redwoods. It appears the trees pierce heaven itself. Among these giant organisms are the Sequoia–while they are shorter in form, they reserve a width that spans an automobile. These trees…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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