Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I was still a high school student the first time I read Fyodor Dostoyevsky’s Crime and Punishment, but I will never forget the powerful impact the book had on me. Of course, as a second year student, I did not fully digest the book. In spite of subsequent readings, I…
Crises force questions of identity. Identities may remain assumed until some event, or series of events, challenge what may have been taken for granted. The search for identity is an anxious one precisely because it tends to happen in times of upheaval and uncertainty. In his recent book, Orthoxox Anglican…
Peter Leithart recently wrote a fascinating short piece about the Half Shekel Temple Tax as an atonement. Leithart argues three main points. First that the Sanctuary Shekel was heavier, i.e., more valuable than the everyday shekel. Second, he offers some analysis about the order of magnitude of the purchasing power…
There is no denial from the careful reader that 1 Samuel 24 and 26 are telling the same story. Perhaps we should say, virtually the same story. But that the stories are cut from the same cloth is undeniable. What we have over these three chapters—1 Samuel 24-26—is a very…
In his novel That Hideous Strength , C.S. Lewis is able to masterfully illustrate in narrative form so many of his insights about the subversive dangers of Leftist political dogma to Christian civilization. Perceptive essays from Lewis like “The Abolition of Man” and “The Inner Ring” are fleshed out in…
At a very practical level, the Evangelical Church has been injected with counterfeit spiritualities. We are a people looking for a city, whose builder may only be in office for four years. Our temptation to veer to the side of the temporal is striking in our day, especially as the…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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