Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Inspired by our recent podcast on Christmas and Advent music recommendations, we offer here a list of excellent recordings that are sure to enrich your Advent and Christmas season. Praetorius: Mass for Christmas Morning Paul McCreesh with the Gabrieli Consort and Players Amazon | Spotify | Apple Music 2. Christmas…
In the year 1483 in the city of Nuremberg, the leaders of the renowned Saint Lawrence Church were seeking to redesign their altar, and above the table where the priests presided over the eucharist, they wanted new art installed above the prestigious Krell altar. What they decided on took everyone…
The consequences of disobedience start with exile from the garden of God and the Tree of Yahweh, but they do not end there. They cascade down through the structure of the dynastic order. Everything which had previously been given in the Kingdom of Elohim is either taken back or curtailed…
Parallelism: A Course Correction If you have ever studied Hebrew poetry, you have probably heard its basic poetic feature described as “parallelism.” Hebrew poetry is not metered, it does not rhyme, it does not employ many of the common poetical tropes, but its distinctive (and almost universal) feature is commonly…
In The Crown and the Courts , David C. Flatto traces the development of the idea of judicial independence in Jewish commentaries on the Scriptures – particularly Deuteronomy 17 – from the Second Temple and early rabbinic periods. These periods roughly span 400 BC to 300 AD. Flatto does not…
A curious feature of the Infancy Narratives in the Gospel of Luke is the naming of John the Baptist. When the angel appears to Zechariah, he is instructed to give his promised son the name John (Luke 1:13). On the day of John’s circumcision, Luke tells us that “they [presumably…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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