Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Figure: Literary structure of the Garden narrative The Garden narrative describes God forming the adam , resting him in his presence, then provisioning for his appetites of food, vocation, and mate. It continues to describe a snake, the introduction of death, and humanity's expulsion from the garden. The pages of…
I’ve spent the last few years studying the theology of St. Irenaeus (d. circ. 200ad). In particular, I’ve been gripped by the way that Irenaeus consistently resisted the anti-body emphasis that emerged in later Christian theology. His eschatology is remarkably focused on the resurrection of the body, and the renewal…
Details of Jesus in Exodus 1:22-2:25 Although there are a great many Christ-types in the Old Testament, it is hard to overplay the obviousness of some that seem to necessarily rise to the top before others. One of these is Isaac, with his near sacrifice by his own father after…
What can we say about Cain's wicked sanctuary-city of Enoch? First that it was built with a brother's blood as its cornerstone. The Church is also built such, for Jesus was the younger brother of the whole Adamic race, slain by that company of older brothers because they hated Him.…
In Genesis 2:9 the ground brought forth trees good for food, delightful to view, and in two cases, life-giving or rule-bestowing. Adam, made of the ground (2:7), would by implication bring forth new trees, and thus trees and plants are among the symbols for human beings throughout the Bible. The…
One of the must fundamental teachings of the Bible and of the Christian religion is that man does not have life in himself. Man must get life from outside of himself, in order to maintain his life. The way this is done is through eating and drinking. Apart from life,…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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