Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Mystical theologians are often unguarded, extreme, un-nuanced, pressing to the edges of heresy, sometimes beyond. Still, the mystics are worthy of study. Why? Many reasons. Unlike some late medieval and post-Reformation dogmaticians, mystical theologians are often instinctively and richly Trinitarian. Historical-critical approaches to Scripture left mystical theologians virtually untouched; mystics…
Portia of Belmont is a “lady richly left,” as Bassanio says of her in the first Act of The Merchant of Venice . Plus, she’s beautiful and wise. Suitors clamber to Belmont in hope. Her father knew it would be so, and in his will set up a fairy-tale test…
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In the nature of the case, “the” Christian meditation on Deuteronomy 14:1-21 cannot be written. Meditation offers too many possibilities, opens too many doors. There is not one and only one correct set of associations for a Christian to consider when thinking of Deuteronomy 14:1-21. We could, for example, consider…
Having retold the story of the cumulative sin of Israel leading to the great atonement on the cross, Paul then reemphasizes that, just as both Jew and Gentiles were locked into sin and judgment, now they are both justified by faith: Then what becomes of our boasting? It is excluded.…
Deuteronomy 14 is full of allusions to events of Israel’s history and other portions of Scripture. What would an Israelite learn by mediation on these allusions? The answer, I believe, is at least fourfold. Faith, Worship, War For the ancient Israelite first hearing Moses’ sermon, or perhaps hearing it read…
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This scene, like the scene that opens Act 3, shows Hamlet encountering a woman who in his mind has betrayed him. Again, he has been sent for, and probably suspects that it is another setup like the one with Ophelia. He has just come from the play, ready to drink…
FO Matthiessen described Melville’s Pierre as “an American Hamlet,” a novel that attempts to “translate” Shakespeare into 19th-century American life. In part, this is a matter of Melville matching characters and plots: “Lucy’s pale innocence fails Pierre as Ophelia’s did Hamlet; the well-named Reverend Mr. Falsgrave’s cushioned voice of worldly…
Derrida, famously, challenges what he calls the metaphysics of presence. What is challenging is not the reality of presence as such, but the notion that we can arrive at some pure presence of a thing, a moment, a self that is unmixed with anything other than itself. A pure instant…
Culler offers an example from Nietzsche that provides an excellent example of the ju-jitsu of deconstruction. Nietzsche argues that causality is not something given, but is the product of a rhetorical operation, a chronological reversal ( chronologische Umdrehung ). I feel a pain, and go searching for a cause of…
At the beginning of his book on Deconstruction , Jonathan Culler notes that critical theory, seen “as an attempt to establish the validity or invalidity of particular interpretive procedures,” is profoundly indebted to New Criticism: This movement “not only instilled the assumption that the purpose of literary study is the…
All page numbers are from the Heany translation. The central focus of the first two fights is Heorot, the mead-hall of Hrothgar. The mead-hall is the focus of a complex of imagery. (The last fight has a similar origin, as Beowulf’s hall is destroyed by the dragon. The house is…
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