Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I just finished re-reading G. K. Chesterton’s The Man Who Was Thursday . I have in the past had the temerity to say that I believe it to be the best novel of the 20th century. Be that as it may, I still maintain that it is at least one…
And Simeon blessed them and said to Mary his mother, “Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against and a sword will pierce through your own soul also, that thoughts out of many hearts may be…
I was inspired to write this article after reading John Ahern’s The Case for Shorter Hymnals first published on Theopolis Institute’s website on November 16, 2021. Mr. Ahern and I are writing with different audiences and emphases in mind. I am thankful we both share a mutual desire to see…
If you’ve spent any time in the social-media galaxy of Christian cultural commentators, you have almost definitely run across the Latin phrase Imago Dei . It means image of God . Why they usually say it in Latin, I couldn’t tell you. We saw it in the wake of the…
The Gospel of Matthew—indeed, the New Testament—begins with a list of names, and that list of names is introduced by this heading: “The book of the generations of Jesus Christ, the son of David, the son of Abraham.” Why start like this? Why “the son of David” and “the son…
A blade is raised. A child wails. But the brow under the crown is untroubled. Solomon knows that the raising of the sword will reveal the true parent and the identity of the son. But how did he know this? Abraham’s willingness to sacrifice Isaac certainly bears some of the…
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This scene, like the scene that opens Act 3, shows Hamlet encountering a woman who in his mind has betrayed him. Again, he has been sent for, and probably suspects that it is another setup like the one with Ophelia. He has just come from the play, ready to drink…
FO Matthiessen described Melville’s Pierre as “an American Hamlet,” a novel that attempts to “translate” Shakespeare into 19th-century American life. In part, this is a matter of Melville matching characters and plots: “Lucy’s pale innocence fails Pierre as Ophelia’s did Hamlet; the well-named Reverend Mr. Falsgrave’s cushioned voice of worldly…
Derrida, famously, challenges what he calls the metaphysics of presence. What is challenging is not the reality of presence as such, but the notion that we can arrive at some pure presence of a thing, a moment, a self that is unmixed with anything other than itself. A pure instant…
Culler offers an example from Nietzsche that provides an excellent example of the ju-jitsu of deconstruction. Nietzsche argues that causality is not something given, but is the product of a rhetorical operation, a chronological reversal ( chronologische Umdrehung ). I feel a pain, and go searching for a cause of…
At the beginning of his book on Deconstruction , Jonathan Culler notes that critical theory, seen “as an attempt to establish the validity or invalidity of particular interpretive procedures,” is profoundly indebted to New Criticism: This movement “not only instilled the assumption that the purpose of literary study is the…
All page numbers are from the Heany translation. The central focus of the first two fights is Heorot, the mead-hall of Hrothgar. The mead-hall is the focus of a complex of imagery. (The last fight has a similar origin, as Beowulf’s hall is destroyed by the dragon. The house is…
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