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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Age of Silver

D avid's plan for the temple is partly a floor plan. He gives Solomon the pattern for the “porch” and its associated buildings, treasuries, rooms, courts (1 Chronicles 28:11-12). The plan also includes instructions for organizing the priests and Levites (28:13a) and for the utensils of service for the temple…

March 14, 2017

Sources of Inequality

I n his recently-published The Great Leveller , Walter Scheidel summarizes evidence from archeology and anthropological studies to answer the question, Has inequality always been with us? The answer is: Sort of yes. Inequality is a constant in societies that farm and herd. But farming and land ownership weren't the…

March 14, 2017

Classicists and Romantics

D avid gives Solomon the “plan” (Heb. tabnit ) for the temple. Unlike Moses, David doesn't have to climb a mountain to get it (cf. Exodus 25:9, 40). It comes from “the spirit ( ruach ) with him” (1 Chronicles 28:12), and from a “writing” from the Lord that comes…

March 13, 2017

Nietzsche, Destroyer of Idols

I n an essay in the journal European Legacy , Norman Fiering summarizes the thought of Eugen Rosenstock-Huessy on biography. Fiering asks whether there are recurring patterns in the lives of significant individuals, and, relying on Rosenstock-Huessy, calls attention to moments of “conversion” (not necessarily religious) and “grace” (unexpected encounters…

March 10, 2017

Modernist Puritanism

I n his 1971 study of Modernist architecture, The Golden City , Henry Hope Reed observed that Modernists transferred moral categories to architecture. Buildings could be “honest” (if they revealed their structure on the surface) or “false” (if they hid structure under ornamentation). Purity was invoked regularly as a positive…

March 10, 2017

Happy Gothic

W hat is “the Gothic”? Answers vary, and that is, Catherine Spooner argues (in Post-Millennial Gothic ), because Gothic bears “multivalent meanings” and “has adapted and changed with the times” (9–10). This isn't a recent development: “After Gothic's initial phase of popularity fizzled out around 1820, it quickly renewed itself…

March 10, 2017

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