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Hermeneutics

The Structure of the Joseph Narrative

(Genesis 37:2 – 50:26) A. Generations of Jacob, 37:2a B. Joseph hated by brothers, 37:2b C. Jacob’s discriminatory blessing, 37:3-4 D. Rule over family: vision, 37:5-11 E. Joseph seeks brothers, 37:12-17 F. Joseph "killed," 37:18-36 G. Judah’s sin, ch. 38 H. Imprisonment, though undeserved, ch. 39-40 I. Famine and Pharaoh,…

by James B. JordanJanuary 4, 1999
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Exodus

Crisis Time: Patriarchal Prologue, Part 5

Moses and Jesus The gift of the Father is a son, but we must be ready to give our sons back to Him when it is time. The gift of the Brother is an estate, but we must be ready to give our estates back to Him when it is…

by James B. JordanJanuary 4, 1999
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Ecclesiology

Of The Church

An Exposition of Chapter XXV of the Westminster Confession of Faith I. The Catholic or universal Church, which is invisible, consists of the whole number of the elect, that have been, are, or shall be gathered into one, under Christ the head thereof; and is the spouse, the body, the…

by Mark HorneDecember 5, 1998
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Biblical Horizons

From Plato to NATO: The Idea of the West and Its Critics

From Plato to NATO: The Idea of the West and Its Critics , by David Gress (New York: Free Press, 1998). This book came into my hands after I had finished my series of essays on Western Civilization. It is so good that I was tempted to summarize it in…

by James B. JordanDecember 4, 1998
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American Politics

Buchanan and Free Trade

In a recent issue of the Chalcedon Report (March, 1999), R. J. Rushdoony praises Patrick Buchanan’s book The Great Betrayal (Boston: Little Brown, 1998), a defense of protectionism. Rushdoony claims that the conflict between free trade and tariffs is a religious conflict, and he is correct. Unfortunately and surprisingly, he…

by James B. JordanDecember 4, 1998
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Esther

Crisis Time: Patriarchal Prologue, Part 4

Joseph and Esther The third patriarch was Joseph, and the third phase of pre-gospel history is the Restoration. We have not spent time looking particularly at the Joseph narrative heretofore, because it is different in cast from the Abraham and Jacob ones. There is no explicit promise, fulfillment, and crisis…

by James B. JordanDecember 4, 1998

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Age of Silver

D avid's plan for the temple is partly a floor plan. He gives Solomon the pattern for the “porch” and its associated buildings, treasuries, rooms, courts (1 Chronicles 28:11-12). The plan also includes instructions for organizing the priests and Levites (28:13a) and for the utensils of service for the temple…

March 14, 2017

Sources of Inequality

I n his recently-published The Great Leveller , Walter Scheidel summarizes evidence from archeology and anthropological studies to answer the question, Has inequality always been with us? The answer is: Sort of yes. Inequality is a constant in societies that farm and herd. But farming and land ownership weren't the…

March 14, 2017

Classicists and Romantics

D avid gives Solomon the “plan” (Heb. tabnit ) for the temple. Unlike Moses, David doesn't have to climb a mountain to get it (cf. Exodus 25:9, 40). It comes from “the spirit ( ruach ) with him” (1 Chronicles 28:12), and from a “writing” from the Lord that comes…

March 13, 2017

Nietzsche, Destroyer of Idols

I n an essay in the journal European Legacy , Norman Fiering summarizes the thought of Eugen Rosenstock-Huessy on biography. Fiering asks whether there are recurring patterns in the lives of significant individuals, and, relying on Rosenstock-Huessy, calls attention to moments of “conversion” (not necessarily religious) and “grace” (unexpected encounters…

March 10, 2017

Modernist Puritanism

I n his 1971 study of Modernist architecture, The Golden City , Henry Hope Reed observed that Modernists transferred moral categories to architecture. Buildings could be “honest” (if they revealed their structure on the surface) or “false” (if they hid structure under ornamentation). Purity was invoked regularly as a positive…

March 10, 2017

Happy Gothic

W hat is “the Gothic”? Answers vary, and that is, Catherine Spooner argues (in Post-Millennial Gothic ), because Gothic bears “multivalent meanings” and “has adapted and changed with the times” (9–10). This isn't a recent development: “After Gothic's initial phase of popularity fizzled out around 1820, it quickly renewed itself…

March 10, 2017

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