Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Stranger: Do you have to use so many cuss words? The Dude: What the f*ck you talking about? - The Big Lebowski There was a man I knew, an elder at his church, who, whenever he was called upon to announce a pregnancy, preferred the euphemism “with child” because…
I know what you’re thinking. Organ: funeral, ball game, grand dusty cathedral. Why should modern Christians of such a technological age revisit a thousand year-old instrument? Don’t worry, I will not be trying to punch another hole in my Weird Music Preferences and Opinions card here. The truth is, our…
Do things have natures? As I am posing the question, it is not simply a question of whether there are particular kinds of things in the world that have characteristic features, patterns of behavior, trajectories of growth and development. If that is what the word means, then the answer is…
We are excited to announce our 2016 Nevin Lectures featuring Father John Behr. Fr. John is the Dean of St. Vladimir's Seminary and Professor of Patristics, as well as the author of multiple works. He will be delivering three lectures over the course of two days dealing with "What Protestants…
New Year's Day makes one reflective, at least about the past year, perhaps about life, perhaps, more broadly, about time itself. Many view time as a curse. Some see it as a curse because of missed chances. As one day or year moves on to the next, all we can…
It seems a truism to say that we live in the world: that the world is outside of us. In reality the world is very much inside of us too. In fact the world passes through us as much as we pass through it. We breathe in its air, using…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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